18世紀文学における精神的指導<br>Mentoring the Mind in Eighteenth-Century Literature

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18世紀文学における精神的指導
Mentoring the Mind in Eighteenth-Century Literature

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  • 製本 Hardcover:ハードカバー版/ページ数 248 p.
  • 商品コード 9783032160140

Description

This book explores the eighteenth-century concept of mentorship in literary works, founded on voluntary, reciprocal engagement that nurtures mutual respect, esteem, and affection. It argues that mentorship involves not just a meeting of minds but facilitates a psychological, spiritual, and emotional expansion that is essential for both participants' self-actualization. The book draws upon depictions of mentorship in eighteenth-century literature, which accounts of mentoring relationships between authors and of reader s mentorship by these texts. It argues that these testify to an experience of self-development which anticipates therapeutic relationships and offers insight into the psychological dynamics at play. Although the argument is informed by concepts developed by the psychotherapeutic tradition, it makes those insights accessible to those who have not read this theoretical material, making the book accessible for readers of fiction, at a layperson, undergraduate, and postgraduate research level. Through psychotherapeutic and psychoanalytic lenses, the book examines how literary mentoring in eighteenth-century relationships reflects and influences the development of self, illuminating the period's pedagogical preoccupations and the enduring impact of mentorship on individual and cultural transformation. 

.- Introduction.- Textual Mentorship.- Epistolary Mentorship.- Erotic Mentorship.- Comic Mentorship.- Dysfunctional Mentorship.- Conclusion.

Laura Blunsden is Alan Price Teaching Fellow in English literature at the University of Liverpool, UK. She was Teaching Fellow at University of Birmingham (2024-2025) following the completion of her Ph.D. in eighteenth-century literature at University of Liverpool in 2024. She is interested in literary communities, creative influence, aesthetic experience, the history of emotion, and she makes use of psychoanalytic approaches to art in her research.


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