Full Description
This book constitutes the refereed proceedings of the 9th International Conference on Mathematics and Computation in Music, MCM 2024, held in Coimbra, Portugal, during June 18-21, 2024.
The 30 full papers and 9 short papers included in this book were carefully reviewed and selected from 45 submissions. They were organized in topical sections as follows: mathematical scale theory and tuning; rhythm analysis and rhythm generation; categorical and algebraic approaches to music; quantum music; theory and algorithms for melodic- harmonic analysis and generation; geometric approaches to musical algorithms and microtonality; fourier analysis for music; similarity and distance measures for music; short papers; communication-performances; and tribute to Yves Hellegouarch.
Contents
.- Mathematical Scale Theory and Tuning.
.- Quarter-Tone Music: A Tuning System Rooted in Natural Harmonic Series.
.- An Exploration of the Discontinuous-Continuous Fusion in Yuunohui'tlapoa for Keyboard.
.- Rhythm Analysis and Rhythm Generation.
.- On Brazilian Drum Claves and Generating Rhythm Patterns out of Them.
.- What Are "Good? Rhythms? Generating Rhythms Based on the Properties Set Out in The Geometry of Musical Rhythm.
.- Euclidean Rhythm with Palindromic Rests.
.- Categorical and Algebraic Approaches to Music.
.- Finding homometric multiplets.
.- The Sandwich-Lemma: The recursive structure of super-syntonic and super-diatonic automorphisms.
.- Hidden Categories: a New Perspective on Lewin's Generalized Interval Systems and Klumpenhouwer Networks.
.- Voice and Math: the Art of Singing in Light of Mathematical Music Theory.
.- Structural and Transformational Relations between Z-related Hexachords.
.- Quantum Music.
.- Quantum Memory and Mathematical Gestures: two Perspectives on Verdi and Wagner.
.- Intro to Quantum Harmony: Chords in Superposition.
.- Quantum Tonality: A Mathemusical Playground.
.- Theory and Algorithms for Melodic- Harmonic Analysis and Generation.
.- Melody and Variation Generation Through KAM Theory.
.- Modal Pitch Space: A Computational Model of Melodic Pitch Attraction in Folk Music.
.- Persistent homology and harmonic analysis.
.- Melodic Contour Generation with Spline Models of Cycles.
.- Geometric Approaches to Musical Algorithms and Microtonality.
.- I-Shaped Tiles in the Tonnetz.
.- Advanced Polyphonic Music Pattern Matching Algorithms with Timing Invariances.
.- Tonnetze and Tori for the 19-, 31-, and 53-Tone Equal Temperaments.
.- A Model of Scores as Abstract Syntactic Trees.
.- Piston words.
.- Fourier Analysis for Music.
.- DFT and Persistent Homology for Topological Musical Data Analysis.
.- Fourier (Common-tone) Phase Spaces are in Tune with Variational Autoencoders? Latent Space.
.- Fourier Qualia Wavescapes: Hierarchical Analyses of Set Class Quality and Ambiguity.
.- Similarity and Distance Measures for Music.
.- Towards measuring the distances of chords of different cardinalities.
.- Assessing the compatibility between musical performance and tuning system.
.- Short Papers.
.- Advanced Visualization Techniques for Music Theory.
.- Recurrence Relations: Rhythms.
.- Mining Significant Sequential Contrast Patterns.
.- Bits and Beats: computing rhythmic information as bitwise operations optimized for Machine Learning.
.- Regular Temperament Theory: Exploring the Landscape between JI and ETs with Linear Algebra.
.- Exploring mode Identification in Irish folk music with unsupervised machine learning and template-based techniques.
.- Communication-Performances.
.- Of All Interval Tetrachords and octatonic scales.
.- Stages in my Vuza Rhythmic Canons.
.- Configurations of Disjoint Augmentation Canons.
.- Sonification of Wigner functions: case study of intense light-matter interactions.
.- Tribute to Yves Hellegouarch.
.- A Tribute to Yves Hellegouarch.
