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Full Description
This book transforms phenomenology, music, technology, and the cultural arts from within. Gathering contributions by performing artists, media technology designers, nomadic composers, and distinguished musicological scholars, it explores a rich array of concepts such as embodiment, art and technology, mindfulness meditation, time and space in music, self and emptiness, as well as cultural heritage preservation. It does so via close studies on music phenomenology theory, works involving experimental music and technology, and related cultural and historical issues.
This book will be of considerable interest to readers from the fields of sound studies, science and technology studies, phenomenology, cultural studies, media studies, and sound art theory. This book is equally relevant and insightful for musicians, composers, media artists, sound artists, technology designers, and curators and arts administrators from the performing and visual arts.
Contents
Introduction (Paulo C. Chagas).- Chapter 1. Sound, truth, and paradigm (Paulo C. Chagas).- Chapter 2. The metaphysical system of existential semiotics (Eero Tarasti).- Chapter 3. The qualities and flow of imagined sound and music (Chris Chafe).- Chapter 4. Decoding imagined Sound (Lloyd May).- Chapter 5. Music, listener and extramusical experience (Ulrika Varankaitė).- Chapter 6. In quest of the sonic self: Sound as expression of the performer's individuality (Lina Navickaitė-Martinelli).- Chapter 7. The notion of "Sound" in popular music (Dario Martinelli).- Chapter 8. Experiencing embodied sonic meditation through body, voice, and multimedia (Jiayue Cecilia Wu).- Chapter 9. Sonic imagination: Body, visual mental imagery, and nomadism (Luca Forcucci).
