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Full Description
This book offers a radical new interpretation of Georg Lukács's History and Class Consciousness, showing for the first time how the philosophical framework for his analysis of society was laid in the drafts of a philosophy of art that he planned but never completed before he converted to Marxism. Reading Lukács's work through the so-called "Heidelberg Aesthetics" reveals for the first time a range of unsuspected influences on his thought, such as Edmund Husserl, Emil Lask, and Alois Riegl; it also offers a theory of subjectivity within social relations that avoids many of the problems of earlier readings of his text. At a time when Lukács's reputation is once more on the rise, this bold new reading helps revitalize his thought in ways that help it speak to contemporary concerns.
Contents
1. Introduction: The Lukács Debate.- 2. Reality And Representation In Art.- 3. The History Of History & Class Consciousness.- 4. The Forms Of Social Reality.- 5. The Interpellation Of The Subject.- 6. Self-consciousness And Identity.- 7. The Social And The Natural.- 8. Conclusion: Lukács In Late Capitalism.