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Ann Lauterbach, the highly esteemed poet who selected Paul Legault's manuscript for the Omnidawn Poetry Prize, explains that in these poems, ?History is here, in uneasy tangents; landscape is here, lonely in its names; luminous images are here but they are not pictures; music is here in a spare, phrasal pacing? Here, in The Madeleine Poems, modernity's abandonment becomes a bare harbor into which sail vessels carrying unexpected cargo.? In hauntingly beautiful lyricism, and with a lightness that conveys the most weighty of subjects, Legault offers a dynamically charged vision of the real as he perceives its volatile, constantly shifting valences.
