Full Description
Forensic Music Therapy demonstrates diverse and innovative approaches, which include live, improvised and pre-composed music, from music therapy teams working in secure treatment settings. The book covers clinical development, research, supervision and discussion of institutional and multi-disciplinary team dynamics. It will inform professionals about different ways to manage challenging situations in order to deliver music therapy with adults and adolescents who have committed offences, men and women with personality disorders and mental health problems, as well as men who have killed. The book also describes the development of Cognitive Analytic Music Therapy: the first manualised form of music therapy to be used in the rehabilitation of offenders. Chapters include case studies and service developments informed by theories from an established range of psychological therapies including psychoanalysis, cognitive analytic therapy, musicology and forensic psychotherapy. The significant variations and considerations when working in low, medium and high secure treatment settings are also clarified.
This book will give music therapists, forensic and clinical psychotherapists and psychologists, cognitive analytic therapists, psychiatrists, and others working in the field a wider understanding of choices, as well as demonstrating the effectiveness of tailored music therapy programmes for this complex client group.
Contents
Foreword by Dr Estela Welldon, Founder and Honorary Elected President for Life, International Association for Forensic Psychotherapy. Introduction. Stella Compton Dickinson, Research Lead in Arts Therapies, Nottinghamshire Healthcare NHS Trust Forensic Services, Prof Helen Odell-Miller, Professor of Music Therapy, Anglia Ruskin University, Cambridge and John Adlam, Consultant Adult Forensic Psychotherapist, S London and Maudsley Foundation NHS Trust. List of Contributors. Part I. The Institutional Setting. 1. Care and Control: Delivering Forensic Psychological Therapies in the High Secure Hospital Setting. Dr Phyllis Annesley, Consultant Clinical Psychologist, National High Secure Healthcare Service for Women, Rampton Hospital, Nottinghamshire Healthcare NHS Trust and Dr Lindsay Jones, Consultant Clinical Psychologist and Cognitive Analytic Therapy Practitioner, NHS North Yorkshire and York. 2. Inside and Outside the Walls: Music Therapy Supervision in a Forensic Setting. Prof Helen Odell-Miller, Professor of Music Therapy, Anglia Ruskin University, Cambridge. 3. Music Therapy with Long-stay In-patients: Communication Issues and Collaboration with the Clinical Team. Philip Hughes, Music Therapist, NHS, Hertfordshire and Irene Cormac, Consultant Forensic Psychiatrist, Rampton Hospital, Nottinghamshire Healthcare NHS Trust. 4. Buffering and Containing Attacks Upon the Work in a Medium Secure Service. Sarah Hill, Head of Arts Therapies and Vocational Services Manager at North London Forensic Service, Barnet, Enfield and Haringey Mental Health Trust. Part II. Clinical - Music Therapy from Adolescent to Adult Offenders. 5. A Case of Work, Rest and Play: Music Therapy in Early Onset Psychosis. Stella Compton Dickinson, Research Lead in Arts Therapies, Nottinghamshire Healthcare NHS Trust Forensic Services. 6. Walking the Line: Music Therapy in the Context of the Recovery Approach in a High Secure Hospital. Alex Maguire, Senior Music Therapist, Broadmoor Hospital, Berkshire and Ian Merrick, Clinical Specialist Occupational Therapist, Broadmoor Hospital, Berkshire. 7. Working with Conflict: A Summary of Developments in the Long-term Treatment of a Man Suffering with Paranoid Schizophrenia who Committed Manslaughter. Stella Compton Dickinson, Research Lead in Arts Therapies, Nottinghamshire Healthcare NHS Trust Forensic Services and Dr Manjit Gahir, Consultant Forensic Psychiatrist and Lead Consultant, National High Secure Deaf Service, Rampton Hospital, Nottinghamshire Healthcare NHS Trust. 8. Music, Mourning and the Matrix: Death and Loss within a Forensic Music Therapy Group. Rebecca Roberts, Music Therapist, Rampton Hospital, Nottinghamshire Healthcare NHS Trust. 9. 'The Lost Boy': An Exploration of Dissociation using Cognitive Analytic Music Therapy. Stella Compton Dickinson, Research Lead in Arts Therapies, Nottinghamshire Healthcare NHS Trust Forensic Services. Part III. Research. 10. Risks, Ruptures and the Role of the Co-therapist in Group Cognitive Analytic Music Therapy (G-CAMT): A Pilot Group at a High Secure Hospital. Victoria Sleight, Music Therapist, Rampton Hospital, Nottinghamshire Healthcare NHS Trust and Stella Compton Dickinson, Research Lead in Arts Therapies, Nottinghamshire Healthcare NHS Trust Forensic Services. 11. Integrating Models for Integrated Care Pathways: Introducing Group Cognitive Analytic Music Therapy (G-CAMT) to a Women's Enhanced Medium-secure Setting (WEMSS). Rebecca Lawday, Chartered Forensic Psychologist, Women's Services at Arnold Lodge, Nottinghamshire Healthcare NHS Trust and Stella Compton Dickinson, Research Lead in Arts Therapies, Nottinghamshire Healthcare NHS Trust Forensic Services. 12. Containment or Contamination? Music Therapy, Personality Disorder and the Forensic Mental Health Team. Petra Hervey, Music Therapist and Cognitive Behavioural Therapist, Sheffield Health & Social Care NHS Trust and Helen Odell-Miller, Professor of Music Therapy, Anglia Ruskin University, Cambridge. Appendices. List of Figures. Index.
