ヒッチコックと感覚の映画 Hitchcock and the Cinema of Sensations : Embodied Film Theory and Cinematic Reception

Elliott, Paul

I.B. Tauris（2011/08発売）

• 製本 Hardcover:ハードカバー版／ページ数 248 p.
• 言語 ENG
• 商品コード 9781848855878
• DDC分類 791.430233092

基本説明

Through the prism of Alfred Hitchcock's films, we explore how our bodies and sensual memory enable us to quite literally 'flesh out' what we see on screen.

Full Description

When we talk of 'seeing' a film, we do not refer to a purely visual experience. Rather, to understand what we see on screen, we rely as much on non-visual senses as we do on sight. This new book rethinks the body in the cinema seat, charting the emergence of embodied film theory and drawing on developments in philosophy, neuroscience, body politics and film theory. Through the prism of Alfred Hitchcock's films, we explore how our bodies and sensual memory enable us to quite literally 'flesh out' what we see on screen: the trope of nausea in "Frenzy", pollution and smell in "Shadow of a Doubt", physical sound reception in the "Psycho" shower scene and the importance of corporeality and closeness in "Rear Window". We see how the body's sensations have a vital place in cinematic reception and the study of film.

Contents

Introduction
PART 1: THE THEORY
1. Film and Embodiment: New Sensations in Spectatorship
2. Philosophy and Embodiment: Re-figuring the Corporeal Self
3. Neuroscience and Embodiment: Exploring the Thinking Flesh
PART 2: THE FILMS
4. On Hitchcock
5. On Taste and Digestion
6. On Smell
7. On Hearing
8. On Touching
Conclusion