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基本説明
While picture-going or cinema is generally regarded as a twentieth-century activity, this book demonstrates that prior to the opening of Ireland’s first cinemas at the end of the first decade of the twentieth century, there
were already huge numbers of people in Ireland, from all classes, regularly enjoying proto-cinematic experiences through such entertainments as magic lantern, or slide projector shows; exhibitions of immersive large-scale, and, at times, moving paintings known as panoramas; and tableaux vivants, or theatrically posed static representations of paintings, statues and events.



