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Full Description
The first in-depth study of Arthurian places in late medieval and early modern England and Wales.
Winner of the 2024 Dhira B. Mahoney Prize for Outstanding Scholarly Book in Arthurian Studies
Places have the power to suspend disbelief, even concerning unbelievable subjects. The many locations associated with King Arthur show this to be true, from Tintagel in Cornwall to Caerleon in Wales. But how and why did Arthurian sites come to proliferate across the English and Welsh landscape? What role did the medieval custodians of Arthurian abbeys, churches, cathedrals, and castles play in "placing" Arthur? How did visitors experience Arthur in situ, and how did their experiences permeate into wider Arthurian tradition? And why, in history and even today, have particular places proven so powerful in defending the impression of Arthur's reality?
This book, the first in-depth study of Arthurian places in late medieval and early modern England and Wales, provides an answer to these questions. Beginning with an examination of on-site experiences of Arthur, at locations including Glastonbury, York, Dover, and Cirencester, it traces the impact that they had on visitors, among them John Hardyng, John Leland, William Camden, who subsequently used them as justification for the existence of Arthur in their writings. It shows how the local Arthur was manifested through textual and material culture: in chronicles, notebooks, and antiquarian works; in stained glass windows, earthworks, and display tablets. Via a careful piecing together of the evidence, the volume argues that a new history of Arthur begins to emerge: a local history.
Contents
Introduction: Place and the defence of Arthur
1. 'Thise were his places and his habitacions': Arthur in situ in the fifteenth century
2. Contentious places: Reconciling Arthurian places in the fifteenth century
3. The Best of the West: John Leland's West Country Arthur
4. Locating Arthur in England and Wales: John Leland, John Prise, and Elis Gruffydd
5. Placing Arthur in William Camden's Britannia
Coda: Arthur's local renaissance?
