Full Description
Traces the position, experiences and reception of women in Irish traditional music through detailed ethnographic and statistical findings.
This book is the first of its kind to engage with the larger subject of women in commercial Irish traditional music. It considers the experiences of performers in the various commercial arenas of the tradition, while also engaging in critical discussions of choice, agency, feminism and sexualisation. It reveals how the commercial music industry and Celtic music label continues to place women within a stereotypical idealised role or occupation.
The book provides new insight into the legacy of women-led bands and compilations as well as their impact on Irish traditional music over five decades. Its findings on commercial dance shows are equally significant. While these shows had a positive impact on performers, at the same time they enforced gendered, racial and heteronormative expectations.
Drawing on extensive ethnographic and statistical research, the book finds strong evidence that women and other marginalised practitioners continue to face greater challenges and different expectations when maintaining a professional career and participating in Irish traditional music. It also uncovers characteristics and dynamics related to the recreational and commercial spaces of the Irish traditional music and Irish dance scene that enable harmful and predatory behaviour.
The author's findings support understandings and aid future legislation for creating a safe, inclusive and equitable performance space for all.
Cover artwork by Claire Prouvost
Contents
Introduction
1. Mná na hÉireann: Women, Colonialism, and the Catholic Church
2. Mná an Cheoil: Echoes of the Past
3. Passing the Baton: A Woman's Heart and the Communal Voice for Women
4. "Celtic Fairies" and the "Commercial Bankable Formula"
5. (Re)shaping Image and Performance in Commercial Irish Dance Shows
6. Changes between Society and Scene: Legislative Developments, Activism, and Festival Line-Ups
7. Performing in the Boys' Club
8. From Musician to Mother: Parenthood Ideologies and Gendered Prejudices
