Full Description
Marcus Banks was one of the scholars who changed the way visual anthropology and visual methods were regarded in social and cultural anthropology. This collection of Banks' essays considers the role of collaboration in the making of ethnographic films and makes the case for slow research. It discusses the meaning of anthropological research in film archives and illustrates how to analyse a wide range of visual material like maps, diagrams and enigmatic photographs. It situates Banks' work in contemporary visual anthropology and Howard Morphy's Afterword explores how Banks' work helped illuminate his own collaboration with the filmmaker Ian Dunlop in aboriginal Australia.
Contents
List of Illustrations
Notes on Text
Part I: Introductions
Introduction: Tracing a Trajectory
David Zeitlyn and Chihab El Khachab
Chapter 1. Visual Anthropology: Image, Object and Interpretation
Part II: Raju and His Friends
Chapter 2. Forty-Minute Fieldwork: 2a Raju Film Synopsis as Box Insert
Chapter 3. Reclaiming a Soul Stolen by the Camera
Chapter 4. Revisiting Raju
Part III: Photo-Elicitation and Image Analysis
Chapter 5. Analysing Images
Chapter 6. Photography, Memory, and Affect: Two Fragments from the History of an Indian City Chapter 7. Slow Research: Exploring One's Own Visual Archive
Part IV: Archives and Visual Research
Chapter 8. An Anthropologist in the Film Archives: Interdisciplinary Approaches
Chapter 9. Visual Anthropology: Image Technologies in the Field
Chapter 10. What Can We Learn from Visual Methods?
Afterword: After Marcus: Visual Methods, Visual Pedagogies
Howard Morphy
Index
