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Full Description
Pamela Colman Smith's illustrations for the Rider Waite tarot deck are known to millions worldwide, but her work took her from art galleries in New York and Europe to salons with luminaries of the English suffrage movement, the Irish literary revival, and friendships with Bram Stoker, W. B. Yeats, and G. K. Chesterton.
A feminist artist, poet, folklorist, editor, publisher, and stage designer who was active from 1896 through the 1920s, Colman Smith became popular for her live performances of Jamaican folktales in both England and the U.S., using the creole
of the island to capture the dramatic power of these tales while driving speculation about her purposefully indeterminate racial and sexual identity. She also travelled in - and was expelled from - occult circles, and her ability to take on and cast aside a wide range of identities was central to her life's work.
Colman Smith illustrated more than 20 books and well over a hundred magazine articles, wrote two collections of Jamaican folktales, and edited two magazines. Her paintings were exhibited in galleries in the U.S. and Europe.
Contents
Introduction
Chapter One: Naming,
Identity, and Jamaican Roots
Chapter Two: Critical
Reception, Key Early Influences, and Emergence as a Feminist Artist
Chapter Three: Becoming Pixie: Performativity, W.B. Yeats, and the Green Sheaf
Chapter Four:
Anansi Folktales, Irish Myths, and Tarot
Chapter Five: Musical Visions, Suffrage, and Feminist
Voice
Epilogue
Notes
Index
