L'Écriture est la peinture de la voix : essays in honour of Nicholas Cronk

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L'Écriture est la peinture de la voix : essays in honour of Nicholas Cronk

Pink, Gillian (EDT)/ Wynn, Thomas (EDT)

ウェブストア価格 ¥30,835（本体¥28,032）
Liverpool University Press（2024/11発売）
外貨定価 US$ 150.00
ポイント 280pt

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製本 Hardcover:ハードカバー版／ページ数 328 p.
言語 ENG
商品コード 9781835537626
DDC分類 940.25

Full Description

L'Écriture est la peinture de la voix honours and celebrates the inestimable contributions that Professor Nicholas Cronk has made to our understanding of the Enlightenment. As director of the University of Oxford's Voltaire Foundation, he has played a decisive role in eighteenth-century studies. In particular he has shaped our knowledge of Voltaire as a writer, celebrity and era-defining figure whose influence has continued to be felt through the centuries. Comprising essays by a host of internationally eminent scholars, this volume is a fitting tribute to the esteem and affection in which Nicholas Cronk is held as a colleague, teacher and mentor. These sixteen essays reflect his varied research interests, exploring questions central to the eighteenth century, such as the writing process, justice, revolution, as well as the legacy of the Enlightenment, and focussing on the central figure in Nicholas Cronk's research: Voltaire. In sections devoted to Voltaire's writing practices, to his involvement in political, literary and religious polemics, and finally to his legacy, the essays build on Nicholas Cronk's scholarship and editorial achievements, opening up a new chapter in research on Voltaire.

This volume is complemented by an online collection of essays which speak to other topics central to Nicholas Cronk's interests, such as authorial identities, correspondence and aesthetics. The collection is published Open Access and is available to read on Modern Languages Open: https://modernlanguagesopen.org/collections/lecriture-nicholas-cronk

ROBERT DARNTON, Preface: Nicholas Cronk's Voltaire

GILLIAN PINK and THOMAS WYNN, Introduction

Publications by Nicholas Cronk

Part I: Voltaire the Writer

FRANÇOIS MOUREAU, Voltaire dans sa bibliothèque: le théâtre en débat

JANET GODDEN, Painting War with the Pen: Voltaire and the campagnes du roi of 1744 and 1745

JENNY MANDER, Movement, Place and Storytelling in Global Modernity: A Reading of Candide as a Modern Migrant Tale

ALAN SANDRIER, Retour sur l'épisode du 'nègre de Surinam' dans Candide

GILLIAN PINK, 'Pour Lenciclopedie': les Questions sur l'Encyclopédie dans les carnets de Voltaire

SYLVAIN MENANT, Sur la littérature dans les Questions sur l'Encyclopédie

CHRISTIANE MERVAUD, La correspondance de Voltaire au quotidien: lecture des premiers mois de la correspondance de 1777

Part II: Polemic and Politics

ANDREW JAINCHILL, 'Je trouve toutes mes idées dans votre ouvrage': Voltaire, d'Argenson and Politics

JAMES HANRAHAN, Reimagining the cri public: Voltaire and Public Opinion before Calas

CHRISTOPHE MARTIN, En haine de Julie: au sujet des Lettres sur La Nouvelle Héloïse, ou Aloisia

MYRTILLE MÉRICAM-BOURDET, Histoire, philosophie ou polémique? La Philosophie de l'histoire

COLIN JONES, Weapons of the Weak and Cultures of Resistance in Enlightenment and Revolutionary Paris

Part III: Voltaire and Posterity

DAN EDELSTEIN, C'est la faute à Voltaire: Revolution and Enlightenment

ANTOINE LILTI, Trouble dans la postérité: Voltaire antisémite?

GREGORY S. BROWN, Besterman's 'Definitive' Edition of the Voltaire Correspondence: Origins, Context and Early History

JOHN RENWICK, L'édition des Œuvres complètes de Voltaire (1969-2022): non pas novatrice mais quand même révolutionnaire

Index