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Full Description
This volume explores the political life of rage as it has been experienced and mobilized in the Francosphere since 1968. If mai is remembered as a failure to convert insurrectionary feeling into lasting political change, the vast number of activist groups who have alchemized their anger into resistance over the past fifty years are a testament to the continued, necessary role of rage in political life.
This volume traces the various morphologies of anger across French-language literature, thought, cinema and activism. From Black feminisms to punk, flamboyance to suicide, cacophonous sound to riotous song, the contributions probe the aesthetics and politics of rage. This collection also examines the uneven legitimization of political anger - how rage is allowed to be expressed, by whom and in which contexts. Rage is often dismissed as inimical to proper academic inquiry: what unites the contributions in this publication is a commitment to thinking with feeling.
Contents
Contents: Jasmine Cooper, Lili Owen Rowlands & Katie Pleming: Introduction - Elliot Evans: Letting rage speak: Asserting the value of particularized rage within the academy - Hannah Parlett: 'Saute ma vie': Subterranean rage, feminism and suicide in francophone cinema from the 1960s - Fourouzan Seban: Sons en rage: British Sounds (1969) de Jean- Luc Godard et Jean- Henri Roger - Jessy Simonini: Dedins la forest an fach tombar lo fraise: Pratiques de résistance en oc entre musique et littérature - David Ewing: Reading past rage: Ugly feelings and the possibility of hope in Michel Houellebecq's Sérotonine (2019) - Chris Mcfarlane: Between hope and rage in Paul B. Preciado's punk utopia - Jack Parlett: 'Pas trop noir, pas trop rose': Rage, flamboyance and AIDS activism in France - Sophie Marie Niang: S'enrager sans se consumer: Afrofeminist flamboyance as refusal in contemporary France - The Editors & Assa Traoré: Interview with Assa Traoré - Assa Traoré & Elsa Vigoureux, translated by the editors: Letter to Adama.
