Women in Iberian Filmic Culture : A Feminist Approach to the Cinemas of Portugal and Spain

個数：

Women in Iberian Filmic Culture : A Feminist Approach to the Cinemas of Portugal and Spain

Cordero-Hoyo, Elena (EDT)/ Soto-Vázquez, Begoña (EDT)

ウェブストア価格 ¥22,870（本体¥20,791）
Intellect Books（2020/06発売）
外貨定価 US$ 110.50
ポイント 207pt

在庫がございません。海外の書籍取次会社を通じて出版社等からお取り寄せいたします。
通常6～9週間ほどで発送の見込みですが、商品によってはさらに時間がかかることもございます。
【重要ご説明事項】
1. 納期遅延や、ご入手不能となる場合がございます。
2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
3. 美品のご指定は承りかねます。

●3Dセキュア導入とクレジットカードによるお支払いについて

【入荷遅延について】
世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。

◆画像の表紙や帯等は実物とは異なる場合があります。

◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
また、洋書販売価格は、ご注文確定時点での日本円価格となります。
ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。

製本 Hardcover:ハードカバー版／ページ数 222 p.
言語 ENG
商品コード 9781789381528
DDC分類 791.436522

Full Description

Though cinema arrived in Spain and Portugal at the end of the nineteenth century, national and industrial problems as well as the dictatorships of Salazar and Caetano (in Portugal) and Franco (in Spain) meant Iberian cinemas were isolated from European cultural trends. Strict censorship in both countries limited the themes and artistic practices adopted, while a specific cinematographic language, in many cases full of metaphors and symbolism, sought alternatives to the imposed official discourse and preconceived definitions of supposed national identities. By contrast, the arrival of democracy from the 1970s onwards widened not just the panorama of film production and criticism, but also opened the film industry to women's participation in areas historically assigned to men.

Focusing on Portuguese and Spanish cinema, this collection brings together research about women and their status in relation to Iberian filmic culture. The volume contributes to ongoing debates about the position of women in the cinemas of Portugal and Spain from interdisciplinary and feminist perspectives as well as new accounts of film history. It also aims to promote comparisons between Iberian cinemas and visual culture, a topic that is almost unexplored in academia, despite the similar histories of the two countries, particularly throughout the twentieth century.

Introduction: Women in Iberian cinemas, a singular tour in Spain and Portugal - Elena Cordero-Hoyo and Begoña Soto-Vázquez

Part 1: The presence of women in Iberian cinemas

Fiction as a Place of Power: The Presence of Female Directors Throughout the History of Portuguese Cinema - Ana Catarina Pereira

The Invisible Women of Spanish Cinema - Annette Scholz

Três dias sem Deus by Bárbara Virgínia, a Different Way of Representation - Ricardo Vieira Lisboa

Part 2: Killing the muse: Women as creator

Gender Violence and Historical Memory in Margarida Cardoso and Isabel Coixet - Estela Vieira

'People Don't Understand [the] World': The Limits of Transnational Authorship in the Cinema of Isabel Coixet - Katarzyna Paszkiewicz

Murmuring Colonial Ghosts in Margarida Cardoso's Filmography - Adriana Martins

Part 3: Beyond the author: Recognizing other cinematographic professions

Weaving a Cinematographic Culture and Writing about Film or How to Reconstruct the Subject of Women in Spanish Silent Cinema - Begoña Soto-Vázquez

A Woman Censor during the Portuguese Dictatorship (1968-74) - Ana Bela Morais

Costume Designers in Portugal: A Trade Between Art and Technique Relegated to the Status of 'a Woman's Thing' - Caterina Cucinotta

Part 4: Historical memory and the gendered archive

Paradigms - Women Filmmakers in 1970s Revolutionary Portugal - Delgado, Nordlund, Cordeiro and Serra - Érica Faleiro Rodrigues

The Mother Awaits: Woman and Landscape in Galician Non-Fiction Cinema - Mª Soliña Barreiro González

Exploring the Portuguese Memory through Appropriation Film: A toca do lobo (Mourão, 2015) - Elena Cordero-Hoyo

Notes on contributors