Full Description
Early medieval stone sculptures survive across Europe: at waysides, in architectural settings and in churches and graveyards, and provide an exceptional source for understanding the aesthetics and beliefs of early medieval communities. England is no exception to this. Thousands of intact and fragmentary stone monuments survive from the seventh to eleventh centuries CE, evidencing the emergence of a rich Anglo-Saxon sculptural tradition in stone. These often elaborately carved monuments that were generally painted - some with considerable sophistication - and could be inset with paste glass and metal, provide clear evidence of a rich and new form of visual material culture connected with the Church in the region. Some monuments acted as liturgical markers, others as markers of working relations between secular and ecclesiastical communities, while others still commemorated the dead, and some fragments demonstrate the ways in which stone buildings were decorated both inside and out. By the tenth century, stone crosses and monuments were frequently commissioned by the Anglo-Saxon and Anglo-Scandinavian secular elites, demonstrating strong connections between sculptural commemoration, power, and identity.
For decades, the celebrated project, the Corpus of Anglo-Saxon Stone Sculpture, has provided information on these monuments, cataloguing each example in terms of date, geology, and decoration. This multi-authored volume draws on the expertise of many specialists connected with the Corpus to provide a first accessible national overview of the resource. Thematic chapters reflect on discoveries to date and archaeological and art historical approaches to researching and understanding sculpture. Key themes include quarrying and production, chronology, the intellectual and artistic context for sculpture, aesthetics and iconography, and the places and contexts of sculpture use. This extensively illustrated volume introduces Anglo-Saxon sculpture in its broader European context and offers a stepping-off point for all those wanting to learn more and research these often-enigmatic fragments.
Contents
Part I: Context
1. Introduction (Sarah Semple and Jane Hawkes)
Part II: From quarry to production
2. Sourcing the stones (David Stocker and Paul Everson)
3. Patronage, space and place (Jane Hawkes and others)
4. Chronology and style (Sarah Semple, Jane Hawkes and others)
Part III: Constructing a sense of place
6. Built environs and sacred places (Heidi Stoner, Helen Gittos and others)
7. The landscape context of monuments (Sarah Semple and Tudor Skinner)
Part IV: Carved Stones and their significance
8. Iconography and aesthetics (Jane Hawkes)
9. Identity and sculpture (Tom Pickles)
10. Early medieval sculpture in its European context (Sarah Semple and others)
Part V: Sculpture present and future
11. New methodologies (Sarah Semple and others)
12. Presenting sculpture (Sarah Semple and others)
