Full Description
Nostalgia, they say, is not what it used to be. Once a witticism, this statement about the past has come to pass. Nostalgia really isn't what it used to be. Less than a generation ago, it was regarded as reactionary, as regressive, as reprehensible. Now, it is considered conducive to health, wealth, and human wellbeing. It is something that helps sell products and move merchandise, an underexploited critical resource with emancipatory potential.
Nowhere is this transformation better illustrated than in the neo-burlesque community, whose members not only embrace the art-form's golden age, and happily acquire heritage goods and vintage services, but turn their nostalgic leanings to emancipatory effect. They are retro revolutionaries, feather boa-wearing insurgents who find women's liberation in sequins and stilettos.
This book shines a spotlight on weapons-grade nostalgia, indicating how it is integral to insurrections throughout history, be they political, technological, or cultural. It reveals, through a combination of empirical ethnographic research and revolutionary literary criticism, the part nostalgia plays in a subversive consumer collective that uses fans, fishnets, and frivolity to fight for the right to party against patriarchy and find a fourth-wave form of female emancipation that foregoes old-school feminist fault-finding for good old-fashioned fun, fun, fun.
Contents
List of Figures
Preface: Retromania in Retrospect
Chapter 1. Introduction: Welcome to Wonderland
Section I: Past and Present
Chapter 2. Borne Back Ceaselessly
Chapter 3. Wheel Meet Again
Chapter 4. Come the Revolution
Section II: Focus and Findings
Chapter 5. Burlesque in Brief
Chapter 6. Considering Consumer Culture
Chapter 7. Fans of Freedom
Section III: Context and Concepts
Chapter 8. Ghost Dance Stance
Chapter 9. Retro Rising Redux
Chapter 10. Dancing is Life
Chapter 11. Conclusion: At the Hop
Appendix I: Definitions of Nostalgia
Appendix II: List of Informants
