The Rood in Medieval Britain and Ireland, c.800-c.1500 (Boydell Studies in Medieval Art and Architecture)

個数:

The Rood in Medieval Britain and Ireland, c.800-c.1500 (Boydell Studies in Medieval Art and Architecture)

  • 在庫がございません。海外の書籍取次会社を通じて出版社等からお取り寄せいたします。
    通常6~9週間ほどで発送の見込みですが、商品によってはさらに時間がかかることもございます。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合がございます。
    2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
    3. 美品のご指定は承りかねます。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Hardcover:ハードカバー版/ページ数 248 p.
  • 言語 ENG
  • 商品コード 9781783275526
  • DDC分類 704.948209410902

Full Description

New readings demonstrate the centrality of the rood to the visual, material and devotional cultures of the Middle Ages, its richness and complexity.

The rood was central to medieval Christianity and its visual culture: Christ's death on the cross was understood as the means by which humankind was able to gain salvation, and depictions of the cross, and Christ's death upon it,were ubiquitous.
This volume brings together contributions offering a new perspective on the medieval rood - understood in its widest sense, as any kind of cross - within the context of Britain and Ireland, over a wide periodof time which saw significant political and cultural change. In doing so, it crosses geographical, chronological, material, and functional boundaries which have traditionally characterised many previous discussions of the medieval rood. Acknowledging and exploring the capacity of the rood to be both universal and specific to particular locations and audiences, these contributions also tease out the ways in which roods related to one another, as well as how they related to their physical and cultural surroundings, often functioning in dialogue with other images and the wider devotional topography - both material and mental - in which they were set.
The chapters consider roods in a variety of media and contexts: the monumental stone crosses of early medieval England, twelfth-century Ireland, and, spreading further afield, late medieval Galicia; the three-dimensional monumental wooden roods in English monasteries, Irish friaries, and East Anglian parish churches; roods that fit in the palm of a hand, encased in precious metals, those that were painted on walls, drawn on the pages of manuscripts, and those that appeared in visions, dreams, and gesture.

Contents

Introduction: Rethinking the Rood - Philippa Turner
Approaching the Cross: The Sculpted High Crosses of Anglo-Saxon England - Jane Hawkes
The Mark of Christ in Wood, Grass and Field: Open-Air Roods in Old English Medical Remedies - Kate Thomas
Twelfth-Century English Rood Visions: Some Iconographic Notes - John Munns
Crosses, Croziers, and the Crucifixion: Twelfth-Century Crosses in Ireland - Maggie Williams
From Religious Artefacts to Symbols of Identity: The Role of Stone Crosses in Galician National Discourse - Sara Carreño
The Rood in the Late Medieval English Cathedral: The Black Rood of Scotland Reassessed - Philippa Turner
The Cross of Death and the Tree of Life: Franciscan Ideologies in Late Medieval Ireland - Malgorzata Krasnodebska-D'Aughton
Heralding the Rood: Colour Convention and Material Hierarchies on Late Medieval English - Lucy Wrapson
Reframing the Rood: Fifteenth-Century Angel Roofs and the Rood in East Anglia - Sarah Cassell

最近チェックした商品