Existentialism and Contemporary Cinema : A Sartrean Perspective

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Existentialism and Contemporary Cinema : A Sartrean Perspective

  • ウェブストア価格 ¥6,619(本体¥6,018)
  • Berghahn Books(2014/03発売)
  • 外貨定価 US$ 29.95
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  • ポイント 300pt
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  • 製本 Paperback:紙装版/ペーパーバック版/ページ数 224 p.
  • 言語 ENG
  • 商品コード 9781782384946
  • DDC分類 791.43684

Full Description

At the heart of this volume is the assertion that Sartrean existentialism, most prominent in the 1940s, particularly in France, is still relevant as a way of interpreting the world today. Film, by reflecting philosophical concerns in the actions and choices of characters, continues and extends a tradition in which art exemplifies the understanding of existentialist philosophy. In a scholarly yet accessible style, the contributors exploit the rich interplay between Sartre's philosophy, plays and novels, and a number of contemporary films including No Country for Old Men, Lost in Translation and The Truman Show, with film-makers including the Dardenne brothers, Michael Haneke, and Mike Leigh. This volume will be of interest to students who are coming to Sartre's work for the first time and to those who would like to read films within an existentialist perspective.

Contents

Acknowledgements

Introduction

Jean-Pierre Boulé and Enda McCaffrey

PART I: THE CALL TO FREEDOM

Chapter 1. Peter Weir's The Truman Show and SartreanFreedom

Christopher Falzon

Chapter 2. Michael Haneke and the Consequences of Radical Freedom

Kevin L. Stoehr

Chapter 3. Naked, Bad Faith and Masculinity

Mark Stanton

Chapter 4. Pursuits of Transcendence in The Man Who Wasn't There

Tom Martin

Chapter 5. Lorna's Silence: Sartre and the Dardenne Brothers

Sarah Cooper

PART II: FILMS OF SITUATION

Chapter 6. Being-Lost in Translation

Michelle R. Darnell

Chapter 7. If I Should Wake Before I Die: Existentialism as a Political Call to Arms in The Crying Game

Tracey Nicholls

Chapter 8. Crimes of Passion, Freedom and a Clash of Sartrean Moralities in the Coen Brothers' No Country for Old Men

Enda McCaffrey

Chapter 9. 'An Act of Confidence in the Freedom of Men': Jean-Paul Sartre and Ousmane Sembene

Patrick Williams

Chapter 10. Cédric Klapisch's The Spanish Apartment and Russian Dolls in Nausea's Mirror

Jean-Pierre Boulé

Chapter 11. Baz Luhrmann's William Shakespeare's Romeo + Juliet: The Nauseous Art of Adaptation

Alistair Rolls

Notes on Contributors

Index

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