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Full Description
Buffy the Vampire Slayer gave contemporary TV viewers an exhilarating alternative to the tired cultural trope of a hapless, attractive blonde woman victimized by a murderous male villain. With its strong, capable heroine, witty dialogue, and a creator (Joss Whedon) who identifies himself as a feminist, the cult show became one of the most widely analysed texts in contemporary popular culture. The last episode, broadcast in 2002, did not herald the passing of a fleeting phenomenon: Buffy is a media presence still, active on DVD and the internet, alive in the career of Joss Whedon and studied internationally. I'm Buffy and You're History puts the entire series under the microscope, investigating its gender and feminist politics.In this book, Patricia Pender argues that Buffy includes diverse elements of feminism and reconfigures - and sometimes revises - the ideals of American second wave feminism for a wide third wave audience. She also explores the ways in which the final season's vision of collective feminist activism negotiates racial and class boundaries.Exploring the Slayer's postmodern politics, her position as a third wave feminist icon, her placing of masculinity in extremis, and her fandom and legacy in popular culture, this is a fresh and challenging contribution to the growing literature on the pitfalls and pleasures of a great cult TV show.
Contents
Introduction1. "I'm Buffy and You're . . . History": The Postmodern Politics of Buffy the Vampire Slayer2. "Kicking Ass is Comfort Food": Buffy as Third Wave Feminist Icon3. "This Revolution Will Be Televised": Buffy and the Transnational Sisterhood of Slayers4. "Never Kill a Boy on the First Date": Masculinity in ExtremisAngel's Abjection Riley, Heteronormativity, and RelapseSex, Suffering, and Spike5. "From Beneath You It Devours": Andrew and the Homoerotics of Evil6. "Why Can't You Just Masturbate Like the Rest of Us?" Pleasure, Pedagogy, and Fandom7. "I Think the Subtext Here is Rapidly Becoming Text": The Slayer's Legacy in Popular Culture 8. "Where Do We Go from Here?": The Future of Buffy StudiesNotesBibliography
