Hollywood Riots : Violent Crowds and Progressive Politics in American Film (Cinema and Society)

個数：

Hollywood Riots : Violent Crowds and Progressive Politics in American Film (Cinema and Society)

Dibbern, Doug

ウェブストア価格 ¥33,341（本体¥30,310）
I.B. Tauris（2015/12発売）
外貨定価 US$ 160.00
ポイント 303pt

提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
【重要ご説明事項】
1. 納期遅延や、ご入手不能となる場合が若干ございます。
2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
3. 美品のご指定は承りかねます。

●3Dセキュア導入とクレジットカードによるお支払いについて

【入荷遅延について】
世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。

◆画像の表紙や帯等は実物とは異なる場合があります。

◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
また、洋書販売価格は、ご注文確定時点での日本円価格となります。
ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。

製本 Hardcover:ハードカバー版／ページ数 224 p.
言語 ENG
商品コード 9781780766324
DDC分類 791.43097309045

Full Description

The large literature about the politics of Hollywood in the period of McCarthy and the blacklist has largely overlooked political filmmaking during those agitated years. "Hollywood Riots" examines the most vibrant cycle of independently produced political films made while House Committee on Un-American Activities was investigating communists in the film industry. In doing so, it shifts the focus from the politics of Washington to the politics of Los Angeles and from the films of the Hollywood Ten to the more politically complex films of the progressive community at large. Dibbern shows how the movies produced by progressives at the end of the 1950s, including "The Lawless", "The Sound of Fury", "The Underworld", were the logical cinematic parallel to their political and journalistic advocacy fighting the conservative newspapers. In these films they were recasting political events from California's recent past as politically-engaged narratives that were inflected with their own fears of persecution."
Hollywood Riots" re-views the work of notable directors like Joseph Losey and Cy Endfield, as well as introducing unheralded political screenwriters and directors such as Daniel Mainwaring, Jo Pagano, and Leo C. Popkin.

Introduction: History's Myopia: The Hollywood left obscured by the blacklist

Part One: Reporters, Racism and Riots: Violent Crowds on American Screens
Chapter 1: Independent Filmmaking and the Disintegration of the Popular Front
Chapter 2: Sensationalism, Rumours and the Threat of the Mob - Ace in the Hole, Park Row, No Way Out and Intruder in the Dust

Part Two: Incendiary Ideologies, Reactionary Crowds
Chapter 3: Newspapers and Journals in the Political Struggle
Chapter 4: Mob Violence in Los Angeles and the United States

Part Three: Progressive Filmmakers and the Battle of Ideas
Chapter 5: The Lawless
Chapter 6: The Sound of Fury
Chapter 7: The Well

Conclusion: Race, the People and the Demise of Political Cinema in the 1950s

Notes
Filmography
Bibliography
Index