Full Description
This new book recovers an innovative venture in museology from the late 1960s that has largely gone unnoticed. In 1967, media theorist Marshall McLuhan and his collaborator Harley Parker, pioneer of museum exhibit design, were invited by the Museum of the City of New York to moderate a two-day seminar on museum communication attended by leading museum officials from around the state and further afield. The seminar report, originally published in 1969, captures the extent to which the audacious views of McLuhan and Parker on rethinking the museum were greeted with puzzlement, scepticism, and consternation by those in attendance. Drawing on extensive archival sources, William J. Buxton sheds light on the context of the seminar, its main participants and organizers, its funding, and its reception. Also included is an essay on Parker and his close working relationship with McLuhan by Gary Genosko, and another on multi-sensory museology and the overall significance of the seminar today by David Howes. Charting connections to the Our World TV broadcast of June 1967, Expo 67, and the contemporaneous Electric Circus in Manhattan, this exciting work demonstrates the importance of this period of McLuhan's thought, his collaborations with Parker, and the cluster of work published between 1967 and 1972. The Museum as Large-Room Pinball Machine makes a unique contribution to McLuhan scholarship, cultural history, and museum history in the late 1960s. With essays by Gary Genosko and David Howes.
Contents
Acknowledgements
Introduction: Towards "Total Museology"
William J. Buxton
1 | Trailblazing Follower: Harley Parker's Role as Museum Exhibit Designer, Collaborator, and Stand-In for Marshall McLuhan
Gary Genosko
2 | Exploration of the Ways, Means, and Values of Museum Communication with the Viewing Public: A Seminar, Museum of the City of New York, 1967
Edited and Annotated by William J. Buxton
3 | Postscript: Multi-Sensory Museology
David Howes
Index
