David Fincher's Zodiac : Cinema of Investigation and (Mis)Interpretation (The Fairleigh Dickinson University Press Series in Law, Culture, and the Humanities)

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David Fincher's Zodiac : Cinema of Investigation and (Mis)Interpretation (The Fairleigh Dickinson University Press Series in Law, Culture, and the Humanities)

Sorrento, Matthew (EDT)/ Ryan, David (EDT)/ Sharrett, Christopher (FRW)

ウェブストア価格 ¥24,934（本体¥22,668）
Fairleigh Dickinson University Press（2022/02発売）
外貨定価 US$ 115.00
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製本 Hardcover:ハードカバー版／ページ数 274 p.
言語 ENG
商品コード 9781683933267
DDC分類 791.4372

Full Description

David Fincher's Zodiac (2007), written by producer James Vanderbilt and adapted from the true crime works of Robert Graysmith, remains one of the most respected films of the early twenty-first century. As the second film featuring a serial killer (and the first based on fact) by Fincher, Zodiac remains a standout in a varied but stylistically unified career. While connected to this genre, the film also hybridizes the policier genre and the investigative reporter film. And yet, scholarship has largely ignored the film.
This collection is the first book-length work of criticism dedicated to the film. Section One focuses on early influences, while the second section analyzes the film's unique treatment of narrative. The book closes with a section focusing on game theory, data and hegemony, the Zodiac's treatment in music, and the use of sound in cinema. By offering new avenues and continuing a few established ones, this book will interest scholars of cinema and true crime along with fans and enthusiasts in these areas.

Foreword: Zodiac, the American Murderer, and the End of Reason
By Christopher Sharrett
Introduction: The Future of the "Last Serial Killer Movie"
By Matthew Sorrento
SECTION ONE: BEFORE FINCHER
1: Framing the "Mass" Killer: Horror and Spatiality in Peter Bogdanovich's Targets (1968)
By Matthew Sorrento
2: Fear and Exploiting in the Age of Aquarius: Early Representations of the Zodiac Killer in 1970s Film and Television
By Christopher Weedman
3: Hacked to Pisces: An Interview with Tom Hanson on The Zodiac Killer (1971)
By Rod Lott
SECTION TWO: ZODIAC AND NARRATIVE
4: Zodiac and the Melding Criminal Minds of David Fincher
By Jeremy Carr
5: Subverting the Investigator as Hero: Masculinity and Failure in David Fincher's Zodiac
By Theresa Rodewald
6: Performing the Zodiac: Piffle, Paradox, and Self-Promotion
By Daniel R. Fredrick
7: Allegories of Obsession: David Fincher's Zodiac and Edgar G. Ulmer's The Black Cat (1934)
By George Toles
SECTION THREE: ZODIAC AND MEDIA
8: The Dantesque Desires