David Fincher's Zodiac : Cinema of Investigation and (Mis)Interpretation (The Fairleigh Dickinson University Press Series in Law, Culture, and the Humanities)

個数：

David Fincher's Zodiac : Cinema of Investigation and (Mis)Interpretation (The Fairleigh Dickinson University Press Series in Law, Culture, and the Humanities)

Sorrento, Matthew (EDT)/ Sorrento, Matthew (EDT)/ Ryan, David (EDT)

ウェブストア価格 ¥23,285（本体¥21,169）
Fairleigh Dickinson University Press（2022/02発売）
外貨定価 US$ 111.00
ポイント 211pt

提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
【重要ご説明事項】
1. 納期遅延や、ご入手不能となる場合が若干ございます。
2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
3. 美品のご指定は承りかねます。

●3Dセキュア導入とクレジットカードによるお支払いについて

【入荷遅延について】
世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。

◆画像の表紙や帯等は実物とは異なる場合があります。

◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
また、洋書販売価格は、ご注文確定時点での日本円価格となります。
ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。

製本 Hardcover:ハードカバー版／ページ数 274 p.
言語 ENG
商品コード 9781683933267
DDC分類 791.4372

Full Description

David Fincher's Zodiac (2007), written by producer James Vanderbilt and adapted from the true crime works of James Graysmith, remains one of the most respected films of the early 21st century. As the second film featuring a serial killer (and the first based on fact) by Fincher, Zodiac remains a standout in a varied but stylistically unified career. It similarly stands out among a new wave of crime cinema in the early 2000s, including the modern classics Inside Man, Michael Clayton, and Academy Award winner No Country for Old Men. While commonly described as a serial killer film, Zodiac also hybridizes the policier genre and the investigative reporter film. And yet, scholarship has largely ignored the film.

This collection, edited by Matthew Sorrento and David Ryan, is the first book-length study dedicated to the film. Section One focuses on early influences, such as serial and spree killer films of the 1960s and 70s and how their treatments helped to shape Fincher's film. The second section analyses the film's unique treatment of narrative with studies of rhetoric onscreen, intertextuality, and gender. The book closes with a section on media studies, including chapters focusing on game theory, data and hegemony, the Zodiac's treatment in music, and the use of sound in cinema. By offering new avenues in Zodiac studies and continuing a few established ones, this book will interest scholars of cinema and true crime along with fans and enthusiasts in these areas.

Foreword: Zodiac, the American Murderer, and the End of Reason

By Christopher Sharrett

Introduction: The Future of the "Last Serial Killer Movie"

By Matthew Sorrento

SECTION ONE: BEFORE FINCHER

1: Framing the "Mass" Killer: Horror and Spatiality in Peter Bogdanovich's Targets (1968)

By Matthew Sorrento

2: Fear and Exploiting in the Age of Aquarius: Early Representations of the Zodiac Killer in 1970s Film and Television

By Christopher Weedman

3: Hacked to Pisces: An Interview with Tom Hanson on The Zodiac Killer (1971)

By Rod Lott

SECTION TWO: ZODIAC AND NARRATIVE

4: Zodiac and the Melding Criminal Minds of David Fincher

By Jeremy Carr

5: Subverting the Investigator as Hero: Masculinity and Failure in David Fincher's Zodiac

By Theresa Rodewald

6: Performing the Zodiac: Piffle, Paradox, and Self-Promotion

By Daniel R. Frederick

7: Allegories of Obsession: David Fincher's Zodiac and Edgar G. Ulmer's The Black Cat (1934)

By George Toles

SECTION THREE: ZODIAC AND MEDIA

8: The Dantesque Desires of David Fincher's Zodiac

By Martin Kevorkian

9: The Zodiac Strikes a Blue Chord: Evoking Art-Horror in Music

By Andrew M. Winters

10: Algorithmic Anxiety: Data Hegemony and Mediated Murder in David Fincher's Zodiac

By Jake Rutkowski

11: Gaming the Ripper Coast: Mapping the Radicalized Acts of the Zodiac Killer

By David Ryan

12: The Killers Speak: the Sound of Violence in David Fincher's Zodiac and Mindhunter (2017-2019)

By Deborah L. Jaramillo