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Full Description
The Nonhuman in American Literary Naturalism responds to a need to expand and refine the connections among nonhuman studies and American literary naturalism and to productively expand the scholarly discourse surrounding this vital movement in American literary history. This collection focuses on that which becomes visible when the human subject is skirted, or moved off-center: in other words, the representation of nonhuman animals and other vital or inert species, things, entities, cityscapes and seascapes, that play an important part in American literary naturalism. Informed by animal studies, ecocriticism, posthumanism, new materialism, and other recent theoretical perspectives, the essays in this collection discuss early naturalist texts as well as more recent naturalistic-oriented authors.
Contents
Contents
Acknowledgments
Introduction
Section I: Other Species
Chapter 1. The Outer Animals: Non-Othered Nonhumans in McTeague
Karin M. Danielsson
Chapter 2: Jack London and the Perils of Human Exceptionalism—or Jack London's Call for Species Interdependence
Paul Crumbley
Chapter 3: The Social Contract and Human-Animal Equality in Dreiser's "McEwen of the Shining Slave Makers"
Patti Luedecke
Chapter 4: Extinction, Genocide, and Atomic Anxiety: Storks in Hemingway's Under Kilimanjaro
Lisa Tyler
Section II: Land and Sea
Chapter 5: Environment, Emotion, and the Individual in "The Open Boat"
Rob Welch
Chapter 6: Anthropomorphism Reconsidered: Nature Faking in Jack London's "All Gold Canyon"
Paul Baggett
Chapter 7: "Love" of the Land as Agrilogistic Tragedy in O Pioneers!: Hazards while Embracing Nonhumans
Ryan Hediger
Section III: Cityscapes and Pseudonature
Chapter 8: Wharton's Architectural Imagination in The House of Mirth
Daniel Dufournaud
Chapter 9: Pseudonature in Edith Wharton's The House of Mirth
Jency Wilson
Chapter 10: Naturalism's Nonhuman Streets: Food and Waste in Ann Petry's Writing
Cara Erdheim Kilgallen
Section IV: Image, Object, Text
Chapter 11: Between Word and Image: Western Landscape and Photographic Rhetoric in Stephen Crane's Prose Writing
Francesca Razzi
Chapter 12: "The Cruel Radiance of What Is": The Reality of Things in James Agee and Walker Evans's Let Us Now Praise Famous Men
Markku Lehtimäki
Section V: Last Things
Chapter 13 Trouble with Human-Nonhuman Distinctions in Dreiser, London, Hamilton, and Dick
Kenneth K. Brandt
Chapter 14: Davids and Goliaths: Last Days Reconciliation Between Humans and Nonhumans in Don DeLillo's Zero K and Kurt Vonnegut's Galápagos
Ingemar Haag
Chapter 15: Writing What Remains: Naturalism and the Nonhuman after Nature in Sheri S. Tepper's Plague of Angels Trilogy
Stephanie Studzinski
Index
About the Contributors
