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Full Description
In Eleanor Smith's Hull House Songs: The Music of Protest and Hope in Jane Addams's Chicago, the authors re-publish Hull House Songs (1916), together with critical commentary. Hull-House Songs contains five politically engaged compositions written by the Hull-House music educator, Eleanor Smith. The commentary that accompanies the folio includes an examination of Smith's poetic sources and musical influences; a study of Jane Addams's aesthetic theories; and a complete history of the arts at Hull-House. Through this focus upon aesthetic and cultural programs at Hull-House, the author-editors identify the external, and internalized, forces of domination (class position, racial identity, patriarchal disenfranchisement) that limited the work of the Hull-House women, while also recovering the sometimes hidden emancipatory possibilities of their legacy.
With an afterword by Jocelyn Zelasko.
Contents
Acknowledgements
List of Illustrations
Introductory Note, Jessica Payette, Graham Cassano, and Rima Lunin Schultz
Hull House Songs by Eleanor Smith (Reproduction of 1915 Folio published by Clayton F. Summy Co.)
Hull House Songs and the "Public", Graham Cassano and Jessica Payette
Hull House Songs and Jane Addams's Political Aesthetic, Graham Cassano
Eleanor Smith's Operettas for Children, Jessica Payette
Eleanor Smith and Her Circle: Female Patronage, Cultural Production, and Friendship at Hull-House, Rima Lunin Schultz
Cultural Pedagogy at Hull-House: Shaping Ethical Behavior through Performance, Rima Lunin Schultz
Democratizing Culture and Mediating Class: The Arts at Hull-House, 1889-1945, Rima Lunin Schultz
Hull-House and &'Jim Crow', Rima Lunin Schultz
Afterword: Eleanor Smith's Hull House Songs: A Singer's Perspective, Jocelyn Zelasko
Appendix: Libretto for The Trolls' Holiday by Harriet Monroe
Bibliography
Index
