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Full Description
Boris Slutsky (1919-1986) is a major original figure of Russian poetry of the second half of the twentieth century whose oeuvre has remained unexplored and unstudied. The first scholarly study of the poet, Marat Grinberg's book substantially fills this critical lacuna in the current comprehension of Russian and Soviet literatures.
Grinberg argues that Slutsky's body of work amounts to a Holy Writ of his times, daringly fusing biblical prooftexts and stylistics with the language of late Russian Modernism and Soviet newspeak.
Contents
Preface: Not Quite Platonov: toward a History of Misinterpreting the Poet. Poet-Interpreter/Translator-Scribe. Part One: Historiography. 1. The Ur-Suite of 1940/41: 'Poems about Jews and Tatars". 2. The Poet-Historian: Transplantation Added. 3. A Blessed Curse: The Midrash of 1947-53. 4. Looking at the Burned Planet: the Post-Holocaust Verse. 5. The Resurrected Remnant: of Horses and Metapoetics. Part Two: Polemics. 6. Writing the Jew: the Poetics of the Father. 7. On Account of the Elegy: within Cemetery Walls. 8. Conversing about God: the Judaic Poetics. Part Three: Intertexts. 9. Among the Objectivists: Charles Reaznikoff. 10. Blindness and no Insight: David Samoilov. 11. Leader of leaders and mentor of mentors": Il'ia Sel'vinskii. 12. "Weighty proofs of the unprovable": Ian Satunovskii. 13. The Final Myth: Pushkin. Conclusion: The Reader in Perpetuity.



