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Full Description
This book explores significant problems in the fiction of Daniel Defoe. Maximillian E. Novak investigates a number of elements in Defoe's work by probing his interest in rendering of reality (what Defoe called "the Thing itself"). Novak examines Defoe's interest in the relationship between prose fiction and painting, as well as the various ways in which Defoe's woks were read by contemporaries and by those novelists who attempted to imitate and comment upon his Life and Strange Surprizing Adventures of Robinson Crusoe decades after its publication. In this book, Novak attempts to consider the uniqueness and imaginativeness of various aspects of Defoe's writings including his way of evoking the seeming inability of language to describe a vivid scene or moments of overwhelming emotion, his attraction to the fiction of islands and utopias, his gradual development of the concepts surrounding Crusoe's cave, his fascination with the horrors of cannibalism, and some of the ways he attempted to defend his work and serious fiction in general. Most of all, Transformations, Ideology, and the Real in Defoe's Robinson Crusoe and Other Narratives establishes the complexity and originality of Defoe as a writer of fiction.
Contents
Contents
Acknowledgments
List of Illustrations
Introduction
Chapter 1: Defoe as an Innovator of Fictional Form
Chapter 2: Picturing the Thing Itself, or Not: Defoe, Painting, Prose Fiction, and the Arts of Describing
Chapter 3: The Unmentionable and the Ineffable in Defoe's Fiction
Chapter 4: Novel or Fictional Memoir: The Scandalous Publication of Robinson Crusoe
Chapter 5: Meatless Fridays: CAnnibalism as Theme and Metaphor in Robinson Crusoe
Chapter 6: Edenic Desires: Robinson Crusoe, The Robinsonade, and Utopian Forms
Chapter 7: Strangely Surpriz'd by Robinson Crusoe: A Response to David Fishelov's "Robinson Crusoe, 'The Other,' and the Poetics of Surprise"
Chapter 8: "Looking with Wonder Upon the Sea" : Defoe's Maritime Fictions, Robinson Crusoe, and "The Curious Age We Live in"
Chapter 9: The Cave and the Grotto: Imagined Interiors and Realist Form in Robinson Crusoe
Chapter 10: "The SUme of Humane Misery?": Ambiguities of Exile in Defoe's Fiction
Chapter 11: Ideological Tendencies in Three Crusoe Narratives by British Novelists during the Period following the French Revolution: Charles Dibdin's Hannah Hewit, The Demale Crusoe, Maria Edgeworth's Forester, and Frances Burney's The Wanderer
Afterword
Bibliography
About the Author
