Full Description
The Canadian War Museum possesses one of the finest twentieth-century official war art collections in the world. Until relatively recently, however, the collection has received limited public attention. In Art or Memorial?, author Laura Brandon explores some of the reasons why this may have been the case. At various times throughout its history, the war art collection has receded from and re-emerged in the nation's collective consciousness. Nevertheless, as an invaluable part of the official record of war in Canada, it is profoundly significant. Brandon argues that the value of the collection lies less in its artistic merit and more in its role as a site of memory.
Art or Memorial? seeks to illuminate Canadian war art's sometimes-hidden presence in the nation's memory and to show, through both its presence and its absence, how it helped to shape, and will continue to influence, how we remember as a nation.
Contents
illustrations
Abbreviations
Acknowledgements
Introduction
Canada's War Art: Its History and the Construction of Memory
Part 1: Choosing To Forget
Chapter 1. The Best-Laid Plans? Politics and the Memorial Art Gallery
Chapter 2. Sculpting a New Canada at Vimy
Chapter 3. Painting and Forgetting: The Group of Seven's War Art
Chapter 4. Religion and Ottawa's War Art
Chapter 4. Title Details: Maurice Cullen and Gyrth Russell
Part II: Revaluing the Canvases of War
Chapter 6. Changing Attitudes to War Since 1945
Chapter 7. Build-Up to the Fiftieth
Chapter 8. Responding to 1995: Reconsidering Aba Bayefsky and Pegi Nicol MacLeod
Chapter 9. Creating Canvas of War, Restoring the Vimy Sculpture
Chapter 10. Answering Visitors' Comments: Alex Collville and Jack Nichols
Part III: Generating Memory
Chapter 11. Tangled Web: DND, The War Museum, and CAFCAP, 1938-95
Epilogue
Phoenix Rising
Conclusion
War Art: A Subtle, Powerful Influence
Appendix A
Sources on War Art and Artists - Second World War
Appendix B
Instructions for War Artists
Appendix C
Cited War Artists
Notes
References
Index
Reproductions
