Suddenness and the Composition of Poetic Thought

個数:

Suddenness and the Composition of Poetic Thought

  • 提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合が若干ございます。
    2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
    3. 美品のご指定は承りかねます。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Paperback:紙装版/ペーパーバック版/ページ数 288 p.
  • 言語 ENG
  • 商品コード 9781538153543
  • DDC分類 808.1

Full Description

Interrogating the much-cherished concept of "poetic thinking," this book focuses on what interview and draft materials reveal of how poets actually do think, when in the act of writing. The interviews confirm what findings from cognitive science and linguistics make clear: we rarely know exactly what words we are going to say, until we have said them. Suddenness and the Composition of Poetic Thought draws out the implications of a radically curtailed view of consciousness on how we understand the drafting and revision of lines of poetry, with implications for our theorisation of the composition of prose. Henrich von Kleist's assertion that "it is not we, but a certain condition of ours which knows" emerges as central to this reassessment of the nature of the written word.

Employing an extensive archive of interview materials with major Anglophone poets, discussing how they think in the moments of composition, this book also provides a lucid account of the links between poetic composition and live performative thinking in the contexts of Romantic compositional practice and the early (pre)textual history of ancient Greek epic.

A transdisciplinary study at the crossroads of philosophy, cognitive psychology, literary studies, and linguistics, this book reconceptualizes the wellsprings of poetic thought and advances our understanding of thinking's complex but vital link to improvised speech.

Contents

Acknowledgements

Introduction: On the Gradual Production of Thoughts Whilst Speaking

Part I Revising towards Spontaneity

1. We Do Not Know What We Are Going to Say until We Have Said It

2. "That's the Illusion You're Supposed to Get"

3. Scepticisms

Part II Two Histories of Sudden Verse

4. Romantic Revision and Its Others

5. The Iliad and The Odyssey Were Rapidly Composed

6. The Desk as Stage

7. Oral Verse in Performance

Part III Writing Is Speaking

8. Not-Quite Speech

9. Writing as "Oral Dictated"

10. Consciousness as a Window of Three Seconds

11. Song

Part IV Suddenness and Art

12. The Split in the Archive

13. "Great Goblets of Magnolialight"

References

Index

About the Author

最近チェックした商品