Authors and the World : Literary Authorship in Modern Germany (New Directions in German Studies)

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Authors and the World : Literary Authorship in Modern Germany (New Directions in German Studies)

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  • 製本 Paperback:紙装版/ペーパーバック版/ページ数 368 p.
  • 言語 ENG
  • 商品コード 9781501391064
  • DDC分類 830.9009

Full Description

Authors and the World traces how four core 'modes of authorship' have developed and inflect one another in modern Germany through a series of twenty different case studies, including the work of Thomas Mann, Günter Grass, Anna Seghers, Walter Höllerer, Felicitas Hoppe and Katja Petrowskaja, and original interview material with contemporary writers Ulrike Draesner, Olga Martynova and Ulrike Almut Sandig. 'Modes of authorship' are attitudes taken towards being an author that can be seen both in what an individual author does and in how a particular literary tradition or trend is perceived and mediated by others both within and beyond Pierre Bourdieu's literary field. Consequently, they deliberately straddle questions of literary production and reception.

Rebecca Braun sets out how the commemorative, celebratory, utopian and satirical modes interact with one another to produce a number of models of authorship that carry either foundational or otherwise normative force for society. In varying combinations and with deep roots in 19th- and early 20th-century practices, the four modes of authorship create a remarkably (and at times troublingly) stable German literature network that to a large degree still determines the way contemporary German-speaking authors enact their cultural significance in their writing, engage with their local circumstances, and are more broadly received around the world.

Authors and the World provides not just a radically new approach to German literary history but a thoroughly new paradigm for thinking about literary authorship.

Contents

List of Figures
Acknowledgements
Note on Translations
Introduction: Rethinking Goethe's World Literature through Questions of Authorship
1. Four Modes of Authorship across the German Twentieth Century
2. The Exemplary Creator: Modelling Authorship in Post-War West Germany
3. The Exemplary Pedagogue: Alternative Foundations for Belonging in the GDR
4. Mediating Authorship in Berlin and Frankfurt, 1959-1989
5. After the Death of the Author: The Rise of the Utopian Mode, 1988-2018
6. New Collaborations: Models of Transnational Authorship in Contemporary German-speaking Europe
In Conversation: Ulrike Draesner: On Creating Contexts for Literature
In Conversation: Olga Martynova on Living in Multiple Literary Worlds
In Conversation: Ulrike Almut Sandig on Collaborating across Media, Genres, and Countries
Bibliography
Index

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