ディズニー映画『白雪姫』（1937年）の製作・受容・遺産の新たな視座 Snow White and the Seven Dwarfs : New Perspectives on Production, Reception, Legacy (Animation: Key Films/filmmakers)

Pallant, Chris (EDT)/ Holliday, Christopher (EDT)

Bloomsbury Academic USA（2021/01発売）

Bloomsbury Academic USA（2021/01発売）

• 製本 Hardcover:ハードカバー版／ページ数 328 p.
• 言語 ENG
• 商品コード 9781501351228
• DDC分類 791.4372

Full Description

This open access book explores the enduring qualities that have marked Snow White's influence and legacy, providing a collection of original chapters that reflect upon its pioneering use of technology and contributions to animation's visual style, the film's reception within an American context, and its status as a global cultural phenomenon.

Walt Disney's Snow White and the Seven Dwarfs (David Hand, 1937) occupies a central place within the history of global animation. Based on the German fairy tale by the Brothers Grimm, the film was the first feature-length animated film produced by the Disney Studio and served to announce the animated cartoon as an industrial art form. Yet Disney's landmark version not only set in motion the Golden Age of the Hollywood cartoon, but has continued to stand as an international sensation, prompting multiple revisions and remakes within a variety of national filmmaking contexts.

The ebook editions of this book are available open access under a CC BY-NC-ND 3.0 licence on www.bloomsburycollections.com.

Contents

List of illustrations
Acknowledgements
Introduction - Into the Burning Coals(Christopher Holliday and Chris Pallant)

Part 1: Innovation, Technology, and Style
Chapter One - From Caligari to Disney: The Legacy of German Expressionist Cinema in Snow White and the Seven Dwarfs (Victoria Mullins)
Chapter Two - From Terrible Toreadors to Dwarfs and Princesses: Forging Disney's Style of Animation (Stéphane Collignon and Ian Friend)
Chapter Three - The Depth Deception: Landscape, Technology and the Manipulation of Disney's Multiplane Camera in Snow White and the Seven Dwarfs (1937) (Christopher Holliday and Chris Pallant)
Chapter Four - Character costume portrayal and the multi-layered process of costume design in Snow White and the Seven Dwarfs (1937) (Maarit Kalmakurki)
Chapter Five - Making it Disney's Snow White (Amy M. Davis)

Part 2: Snow White in Hollywood
Chapter Six - With a Smile and a Song: Snow White and the Seven Dwarfs as the first Integrated Film Musical (Sadeen Elyas)
Chapter Seven - Dwarfland: Marketing Disney's Folly (Pamela O'Brien)
Chapter Eight - Framing Snow White: Preservation, Nostalgia and the American Way in the 1930s (Jane Batkin)
Chapter Nine - Recasting Snow White: Parodic Animated Homages to the Disney Feature (Terry Lindvall)

Part 3: International Legacies
Chapter Ten - The Indigenisation of Disney's Snow White and the Seven Dwarfs (1937) in China: From 'Snow Sister' and 'Dolly Girl' to Chinese Snow White (1940) and Princess Iron Fan (1941) (Yuanyuan Chen)
Chapter Eleven - Unearthing Blanche-Neige: the making of the first made-in-Hollywood French version of Snow White and its critical reception. (Greg Philip and Sébastien Roffat)
Chapter Twelve - From Disney to LGBTQ tales: the South-American Snow White in Over the Rainbow: Um Livro de Contos de Fadxs (Priscila Mana Vaz, Thaiane de Oliveira Moreira and Janderson Pereira Toth)
Chapter Thirteen - Snow White's censors: The non-domestic reception and censorship of Snow White and the Seven Dwarfs with a case study on the Low Countries (Daniël Biltereyst)
Chapter Fourteen - Snow White in the Spanish cultural tradition: analysis of the contemporary audiovisual adaptations of the tale (Irene Raya Bravo and María del Mar Rubio-Hernández)
Chapter Fifteen - The Adventures of Snow White in Turkish Cinema' (Zeynep Gültekin Akçay)

Index