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Full Description
Imagining the Unimaginable examines popular fiction's treatment of the Holocaust in the dystopian and alternate history genres of speculative fiction, analyzing the effectiveness of the genre's major works as a lens through which to view the most prominent historical trauma of the 20th century. It surveys a range of British and American authors, from science fiction pulp to Pulitzer Prize winners, building on scholarship across disciplines, including Holocaust studies, trauma studies, and science fiction studies.
The conventional discourse around the Holocaust is one of the unapproachable, unknowable, and the unimaginable. The Holocaust has been compared to an earthquake, another planet, another universe, a void. It has been said to be beyond language, or else have its own incomprehensible language, beyond art, and beyond thought.
The 'othering' of the event has spurred the phenomenon of non-realist Holocaust literature, engaging with speculative fiction and its history of the uncanny, the grotesque, and the inhuman. This book examines the most common forms of nonmimetic Holocaust fiction, the dystopia and the alternate history, while firmly positioning these forms within a broader pattern of non-realist engagements with the Holocaust.
Contents
Acknowledgments
Introduction: Fictionalising the Holocaust
1. Precursors and Early Texts: Swastika Night (1937) and the Myth of Silence
2. Problematizing History: The Man in the High Castle (1962), Fatherland (1992), and Making History (1996)
3. The Damned and the Saved: The Boys from Brazil (1976), The Portage to San Cristobal of A.H. (1981), Hope: A Tragedy (2012), and The Yiddish Policeman's Union (2007)
4. Reimagining Horror: The Plot Against America (2004), Farthing (2006), A Man Lies Dreaming (2014), and J (2014)
Epilogue: Further Fabulation
Notes
Bibliography
Index
