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Full Description
Third Cinema, World Cinema and Marxism offers an analysis of Third Cinema and World Cinema from the perspective of Marxism. Its starting point is an observation that of all cinematic phenomena none is as intimately related to Marxism as Third Cinema, which decries neoliberalism, the capitalist system, and the Hollywood model of cinema as mere entertainment to make money. This is largely to do with the fact that both Marxism and Third Cinema are preoccupied with inequalities resulting from capital accumulation, of which colonialism is the most extreme manifestation. Third Cinema also defines cinematic modes in terms of representing interest of different classes, with First Cinema expressing imperialist, capitalist, bourgeois ideas, Second Cinema the aspirations of the middle stratum, the petit bourgeoisie and Third Cinema is a democratic, popular cinema.
Contents
Introduction: Ewa Mazierska and Lars Kristensen
Part 1: Revisiting Films
Chapter 1: Exporting Cinemarxism in the 1960s: The Case of Soy Cuba
Andrei Rogatchevski
Chapter 2: Brazil's Open Cities: Mimicry, Sexuality, and Class Dynamics in the Urban Landscape of Cinema Novo
Bruce Williams
Chapter 3: "Unreal City": The Aesthetics of Commitment in Pratidwandi and Interview
Koel Banerjee
Chapter 4: The Peruvian Kuntur Group: A Marxist- Indigenist Filmmaking Practice
Isabel Seguí
Part 2: Comparative Readings
Chapter 5: Third Cinema in the 21st century: political utopia in the new documentary films of Fernando Solanas
Mariano Paz
Chapter 6: Third Cinema after the turn of the millennium: Reification of the sign and the possibility of transformation
Paulina Aroch and André Dorcé
Chapter 7: We Have Never Been Transnational: The Female Condition in Socialist Realism, Postsocialism, and Third Cinema
Lucian Tion
Part 3: Third Cinema versus World Cinema
Chapter 8: Dialogical Encounters on the Cinema of Revolution: Save the Children Fund Film and Metalepsis in Black
David Archibald and Finn Daniels-Yeomans
Chapter 9: Newsreel Front: A Revived Vision of Third Cinema in Slovenia
Andrej Šprah
Chapter 10: Listening to the Future: The Film- Philosophy of Abderrahmane Sissako
William Brown
Chapter 11: Class, Gender and Ethnicity in Alfonso Cuarón's Roma
Ewa Mazierska
Chapter 12: 'After' or Back to Third Cinema? Plebeian Film, the National Popular, Fingernails and the Resilient Behemoth
Enrique Uribe-Jongbloed and Toby Miller
Index
