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Full Description
This volume charts a new course in animal studies that re-examines Jacques Derrida's enduring thought on the visualization of the animal in his seminal Cerisy Conference from 1997, The Animal That Therefore I Am. Building new proximities with the animal in and through - and at times in spite of - the visual apparatus, Seeing Animals after Derrida investigates how the recent turn in animal studies toward new materialism, speculative realism, and object-oriented ontology prompts a renewed engagement with Derrida's animal philosophy. In taking up the matter of Derrida's treatment of animality for the current epoch, the contributors to this book each present a case for new philosophical approaches and aesthetic paradigms that challenge the ocularcentrism of Western culture.
Contents
Introduction Seeing Animals - Sarah Bezan & James Tink
Part One: New Orientations in Derrida's Philosophy
The Wolves of the World: Derrida on the Political Symbolism of the Beast and the Sovereign - Gavin Rae
The Loaded Cat - David Brooks
Part Two: Posthumous Encounters
"The Most Famous Dog in History": Mourning the Animot in Abadzis' Laika - José Alaniz
The Anterior Animal: Derrida, Deep Time, and Immersive Vision of Paleoartist Julius Csotonyi - Sarah Bezan
"The Dignity of Mankind": Edward Tyson's Anatomy of a Pygmie and the Ape-Man Boundary - Nicole Mennell
Part Three: Beyond Ocularcentrism
Chris Marker's Alter Egos: The Camera and the Cat - Bonnie Gill
Scenting Wild: Olfactory Panic and Jack London's Ocular Dogs - David Huebert
Do Androids Dream of Derrida's Cat? The Unregulated Emotion of Animals in Philip K. Dick's Do Androids Dream of Electric Sheep? - Megan E. Cannella
Part Four: New Arrivals
Be/Holding Each Other: Transgenic Invisibilities, Anomaly, and Subjectivity in t