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Full Description
Music, Dance, Affect, and Emotions in Latin America is a collection of essays that analyze different manifestations of Argentine music and dance taking advantage of the exciting new theoretical developments advanced by the current affective turn. Contributors deal with the relationship between music, dance, affects, feelings, and emotions in different scenarios and show how the embodiment of music shape the experiential in ways that may impact upon but nevertheless many times evade conscious knowing. This book is one of the first academic attempts (regardless of region or country of scope) to try to solve some of the most important problems the affective turn has identified regarding how music and dance have been researched so far, such as the tendency, in representational accounts of music, to ignore the sensory and sonic registers to the detriment of the embodied and lived registers of experience and feeling that unfold in the process of making or listening to music.
Contents
Contents
Acknowledgments
Introduction
Pablo Vila
Chapter One: Music, Dance, Affect, and Emotions: Where We Are Now.
Pablo Vila
Chapter Two: The Embodiment of Gozo.: Aesthetic, Emotion and Politics in the Indigenous Song-dances of the Argentine Chaco
Silvia Citro and Adriana Cerletti
Chapter Three: Traditional Sonorous Poetics. Ways of Appropriation and Perception of "Andean" Music and Practices in Buenos Aires.
Adil Podhajcer
Chapter Four: Pleasures in Conflict: Maternity, Eroticism, and Sexuality in Tango Dancing
Juliana Verdenelli, Translated by Elliot Prussing
Chapter Five: Self-Expression Through Self-Discipline. Technique, Expression, and Losing Oneself in Classical Dance
Ana Sabrina Mora, Translated by Elliot Prussing
Chapter Six: Did Cumbia Villera Bother Us? Criticisms on the Academic Common Sense
Representation of the Link Between Women and Music
Malvina Silba and Carolina Spataro, Translated by Federico Álvarez Gandolfi
Chapter Seven: Peronism and Communism, Feel
