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Full Description
Over the past thirty years, Thomas DeLio, American composer and music theorist, has produced a highly original body of music and writings that have established his artistic and scholarly voice as unique amongst his peers. His writings have addressed music by a diverse collection of American and European composers including Iannis Xenakis, Morton Feldman, John Cage, Alvin Lucier, Arnold Schoenberg, Erik Satie and Luigi Dallapiccola.
Contents
Preface; Acknowledgements Introduction by Michael Boyd; 1 . The Morphology of a Global Structure: John Cage's Variations II (1980); 2. Spatial Design in Elliott Carter's Canon for 3 (1980); 3. The Dialectics of Structure and Materials: Iannis Xenakis' Nomos Alpha (1980); 4. Structural Pluralism: Robert Ashley's in memoriam ... Esteban Gomez (1981); 5. Structure as Context (1981); 6. Steve Reich (1981); 7. Toward an Art of Imminence: Morton Feldman's Durations III, #3 (1983); 8. The Shape of Sound: Alvin Lucier's Music for Pure Waves, Bass Drums and Acoustic Pendulums (1983); 9. Structure As Behavior: Christian Wolffs For One, Two or Three People (1984); 10. A Proliferation of Canons: Luigi Dallapiccola's Goethe Lieder Nos 2 and 6 (1985/87); 11. Structure and Strategy: Iannis Xenakis' Linaia-Agon( 1987); 12. Time Transfigured: Erik Satie's Parade (1993); 13. Language and Form in an Early Atonal Composition: Schoenberg's Op.l9#2 (1994); 14. Morton Feldman's Last Pieces#3 (1996); 15. On Christian Wolff (2000); Bibliography; Discography.
