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Full Description
The author of such global bestsellers as Lolita and Pale Fire, Vladimir Nabokov (1899-1977) is also one of the most controversial literary translators and translation theorists of modern time. In Between Rhyme and Reason, Stanislav Shvabrin discloses the complexity, nuance, and contradictions behind Nabokov's theory and practice of literalism to reveal how and why translation came to matter to Nabokov so much.
Drawing on familiar as well as unknown materials, Shvabrin traces the surprising and largely unknown trajectory of Nabokov's lifelong fascination with translation to demonstrate that, for Nabokov, translation was a form of intellectual communion with his peers across no fewer than six languages. Empowered by Mikhail Bakhtin's insights into the interactive roots of literary creativity, Shvabrin's interpretative chronicle of Nabokov's involvement with translation shows how his dialogic encounters with others in the medium of translation left verbal vestiges on his own creations. Refusing to regard translation as a form of individual expression, Nabokov translated to communicate with his interlocutors, whose words and images continue to reverberate throughout his allusion-rich texts.
Contents
Acknowledgments
On Transliteration and Translation
Abbreviations
Introduction
1. Before Sirin: A Foretaste of Translation (1910-1919)
2. Before Nabokov: Sirin Translates (1919-1936)
3. Before Eugene Onegin: "Sinning Lovingly, Sinning Tenderly" (1940-1955)
4. Eugene Onegin in Its Element (1955-1965)
5. Beyond Eugene Onegin (1965-1977)
Conclusion
Notes
Bibliography
Index
