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Full Description
Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the ways filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films as well as other forms of nontheatrical filmmaking. From filmic depictions of Native Americans and films by 1920s African American religious leaders to a government educational film about the unequal treatment of Latin American immigrants, these films portrayed-for various purposes and intentions-the lives of those who were mostly excluded from the commercial films being produced in Hollywood. This volume is more than an examination of a broad swath of neglected twentieth-century filmmaking; it is a reevaluation of basic assumptions about American film culture and the place of race within it.
Contributors. Crystal Mun-hye Baik, Jasmyn R. Castro, Nadine Chan, Mark Garrett Cooper, Dino Everett, Allyson Nadia Field, Walter Forsberg, Joshua Glick, Tanya Goldman, Marsha Gordon, Noelle Griffis, Colin Gunckel, Michelle Kelley, Todd Kushigemachi, Martin L. Johnson, Caitlin McGrath, Elena Rossi-Snook, Laura Isabel Serna, Jacqueline Najuma Stewart, Dan Streible, Lauren Tilton, Noah Tsika, Travis L. Wagner, Colin Williamson
Contents
Note on the Companion Website ix
Foreword. Giving Voice, Taking Voice: Nonwhite and Nontheatrical / Jacqueline Najuma Stewart xi
Acknowledgments xxv
Introduction / Allyson Nadia Field and Marsha Gordon 1
1. "A Vanishing Race"? The Native American Films of J. K. Nixon / Caitlin McGrath 29
2. "Regardless of Race, Color, or Creed": Filming the Henry Street Settlement Visiting Nurse Service, 1924-1933 / Tanya Goldman 51
3. "I'll See You in Church": Local Films in African American Communities, 1924-1962 / Martin L. Johnson 71
4. The Politics of Vanishing Celluloid: Fort Rupert (1951) and the Kwakwaka'wakw in American Ethnographic Film / Colin Williamson 92
5. Red Star/Black Star: The Early Career of Film Editor Hortense "Tee" Beveridge, 1948-1968 / Walter Forsberg 112
6. Charles and Ray Eames's Day of the Dead (1957): Mexican Folk Art, Educational Film and Chicana/o Art / Colin Gunkel 136
7. Ever-Widening Horizons? The National Urban League and the Pathologization of Blackness in A Morning for Jimmy (1960) / Michelle Kelley 157
8. "A Touch of the Orient": Negotiating Japanese American Identity in The Challenge (1957) / Todd Kushigemachi and Dino Everett 175
9. "I Have My Choice": Behind Every Good Man (1967) and the Black Queer Subject in American Nontheatrical Film / Noah Tsika 194
10. Televising Watts: Joe Saltzman's Black on Black (1968) on KNXT / Joshua Glick 217
11. "A New Sense of Black Awareness"? Navigating Expectations in The Black Cop (1969) / Travis L. Wagner and Mark Garrett Cooper 236
12. "Don't Be a Segregationist: Program Films for Everyone": The New York Public Library's Film Library and Youth Film Workshops / Elena Rossi-Snook and Lauren Tilton 253
13. Teenage Moviemaking in the Lower East Side: The Rivington Street Film Club, 1966-1974 / Noelle Griffis 271
14. Ro-Revus Talks about Race: South Carolina Malnutrition and Parasite Films, 1968-1975 / Dan Streible 290
15. Government-Sponsored Film and Latinidad: Voice of La Raza (1973) / Laura Isabel Serna 313
16. An Aesthetics of Multiculturalism: Asian American Assimilation and the Learning Corporation of America's Many Americans Series (1970-1982) / Nadine Chan 333
17. "The Right Kind of Family": Memories to Light and the Home Movie as Racialized Technology / Crystal Mun-Hye Baik 353
18. Black Home Movies: Time to Represent / Jasmyn R. Castro 372
Selected Bibliography 392
Contributors 401
Index 403
