Full Description
When the story of banjo superstar Earl Scruggs is told, the rich musical environment that produced him is often ignored. During his lifetime Scruggs spun a creation myth around his playing, convincing many that he was the sole originator of a three-finger, up-picking, banjo style. For the first time, this book tells the full story of the music and musicians of the western Carolinas that influenced Earl Scruggs. Based on more than 15 years of in-depth research, this book includes the story of country music recording pioneers Parker and Woolbright, Fisher Hendley and Martin Melody Boys; rare images of area music makers; and the history and development of fiddlers' conventions and radio barn dances. Together, these stories are woven into the biographies of Earl's mentors to reveal the musical atmosphere in which they developed the "three-finger picking" style that so enchanted a young Earl Scruggs.
Contents
Table of Contents
Acknowledgments
Preface: Why Earl?
One. Pre-History "B.E." (Before Earl)
Two. The Greatest Musical Tournament in Western North Carolina
Three. John W. Ross, Charlie Parker and Mack Woolbright Part One
Four. Mack Woolbright: Parts Two and Three
Five. What Earl Scruggs Heard
Six. Crazy Crystals and Aristocratic Pigs: The Fisher Hendley Story
Seven.WBT-Charlotte
Eight. Crazy Water and Crazy Bands
Nine. Aristocratically Yours, Fisher Hendley
Conclusion: Post-History "A.E." (After Earl)
Discography
Chapter Notes
Bibliography
Index
