Full Description
The ABC TV series The Bionic Woman, created by Kenneth Johnson, was a 1970s pop culture phenomenon. Starring Lindsay Wagner as Jaime Sommers, the groundbreaking series follows Jaime's evolution from a young woman vulnerable to an exploitative social order, to a fierce individualist defying a government that sees her as property. Beneath the action-packed surface of Jaime's battles with Fembots, themes such as the chosen family, technophobia, class passing, the cyborg, artificial beings, and a growing racial consciousness receive a sophisticated treatment.
This book links the series to precedents such as classical mythology, first-wave feminist literature, and the Hollywood woman's film, to place The Bionic Woman in a tradition of feminist ethics deeply concerned with female autonomy, community, and the rights of nonhuman animals. Seen through the lens of feminist philosophy and gender studies, Jaime's constantly changing disguises, attempts to pass as human, and struggles to accept her new bionic abilities offer provocative engagement with issues of identity. Jaime Sommers is a feminist icon who continues to speak to women and queer audiences, and her struggles and triumphs resonate with a worldwide fanbase that still remains enthralled and represented by The Bionic Woman.
Contents
Table of Contents
Acknowledgments
Introduction: Why The Bionic Woman Matters
Chapter 1: Mrs. Steve Austin
Chapter 2: Feminist Ethics
Chapter 3: In the Shadow of Sasquatch
Chapter 4: Bionic Vertigo
Chapter 5: Fembot Theory
Chapter 6: Mechaphobia and Self-Shattering
Chapter 7: Dogs and Sympathy
Epilogue: Awakenings
Notes
Bibliography
Index
