Full Description
Traditional African musical forms have long been accepted as fundamental to the emergence of blues and jazz. Yet there has been little effort at compiling recorded evidence to document their development. This discography brings together hundreds of recordings that trace in detail the evolution of the African American musical experience, from early wax cylinder recordings made in West Africa to voodoo rituals from the Carribean Basin to the songs of former slaves in the American South.
Contents
Table of Contents
Introduction
Abbreviations
Locations of Recordings
The Organization of the Discography
The Discography
Part I. West African Field Recordings, 1901-1942
Part II. Caribbean Field Recordings, c. 1914-1941
Part III. Southeastern United States African-American Field Recordings, c. 1904-1943
Appendix: Audio Sources
Bibliography
Individual Artists and Group Names Index
Recording Titles Index
Index of Labels, Archives, Collectors, University Collections, Major Institutions and Websites