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Full Description
Brazil has one of the most vibrant theater cultures in the world, home to a wide variety of theatrical expression. This collection of 15 interviews includes some of the country's most prolific creative minds--Ze Celso (Teatro Oficina), Antunes Filho, Gerald Thomas, Nos do Morro, Rudolfo Vasquez (Os Satyros), Antonio Araujo (Teatro Vertigem), Enrique Diaz (Cia do Atores) and Lia Rodrigues, to name a few--discussing their approaches to the collaborative theater process. They describe a collective creative environment in which practitioners are concerned with fundamental questions about social, cultural and artistic contexts in which productions are staged, and the interdisciplinary climate that predominated from the beginning of the 1980s.
Contents
Table of Contents
Acknowledgments
Preface
Introduction: Collaborative Theater Practices in Brazil
1. José Celso Martinez Corrêa—Zé—and Teatro Oficina
2. Antunes Filho and Centro de Pesquisa Teatral
3. Gerald Thomas and the Dry Opera Company
4. Antônio Araújo and Teatro da Vertigem
5. Enrique Díaz and Companhia dos Atores
6. Sergio de Carvalho and Companhia do Latão
7. Eduardo Moreira and Grupo Galpão
8. Ói Nóis Aqui Traveiz
9. Aderbal Freire Filho
10. Newton Moreno and Os Fofos Encenam
11. Marcio Meirelles and Bando de Teatro Olodum
12. Nós do Morro
13. Rodolfo García Vázquez and Companhia de Teatro Os Satyros
14. Lia Rodrigues and Companhia de Danças
15. Alejandro Ahmed and Grupo Cena 11 Companhia de Dança
Chapter Notes
References
Index
