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Full Description
Since 9/11, war literature has become a key element in American popular culture, spurring critical debate about depictions of combat--Who can write war literature? When can they do it? This book presents a new way to closely read war narratives, questioning the idea of "combat gnosticism"--the belief that the experience of war is impossible to communicate to those who have not seen it--that has dominated the discussion.
Adapting Kenneth Burke's scapegoat mechanism to the criticism of literature and film, the author examines three novels from 2012--Ben Fountain's Billy Lynn's Long Halftime Walk, David Abrams's FOBBIT and Kevin Powers' The Yellow Birds--that represent the U.S. military responses to 9/11.
Contents
Table of Contents
Acknowledgments
Introduction: The Resilience of Racist Language, Symbols and Rhetoric
One: Literature, Criticism and the Fetishization of Experience
Two: Kenneth Burke: A Method for War Literature
Three: Confounding Expectations in Kevin Powers's The Yellow Birds
Four: The Comic Corrective and Ben Fountain's Billy Lynn
Five: The Convenient Scapegoat in David Abrams's FOBBIT
Six: Representing Hajji: This Generation's Enemy "Other"
Conclusion
Chapter Notes
Bibliography
Index



