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Perhaps more than any other philosopher, Deleuze has been pivotal for the recent 'affective turn' in philosophy and the humanities at large. Critics and proponents alike, however, have yet to appreciate the extent to which Deleuze himself remains profoundly ambivalent toward affect and embodiment in general. D. J. S. Cross argues that this ambivalence and its longevity have been overlooked because they only become apparent through a systematic analysis of affect throughout Deleuze's work. By outlining the ways in which, from beginning to end, Deleuze's system of thought both ruptures and complies with the tradition, Cross recalibrates Deleuze's philosophy and the recent 'affective turn' that hinges upon it.
Contents
Acknowledgements
Abbreviations
Introduction
Adermatoglyphia
The 'Problem' of 'Affect'
Ambivalence
Itinerary
Notes
Part I. Ambivalence
1. The Royal Faculty
A Doctrine of Faculties
Transcendence
The Royal Faculty
The Original Origin
The Sensible Hitch
Implications
Notes
2. Furtive Contemplations
Extra Interiority
Dénouement
Organic Extension
Contemplating Chaos
Notes
3. Between Art and Opinion
Avant-Garde
Euthanasia
Major Minor Warp
Style Each Time
Notes
Part II. The Paradox of Spinoza
4. Spinoza, Socrates of Deleuze
The Paradox
A Character Study
Cause and Attribution
Indifference
Coronation, Transfiguration
Spinoza and Spinoza
Notes
5. Affectus Becoming l'Affect
Existential Choreographies
The Antinomy of Affect
Betrayal
Immaterial Material
Notes
6. Deleuze and the First 'Ethics'
One More Hitch
A Bizarre Sign
The Phenomenologist and the Pantheist
Select and Organise
Notes
Conclusion: The Body without Affects
Closing Negotiations
Conjurer l'affect
Pre-Primary Emotion
Gilles Blanched
Notes
Bibliography
