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Full Description
George A. Romero is recognised as one of the most culturally significant horror auteurs in American cinema. From his debut Night of the Living Dead onwards, he demonstrated a commitment to politically challenging low-budget genre cinema, gaining fan adoration and critical esteem. Romero's cult status may be assured, but the activities of the Pittsburgh-based production company that facilitated a substantial part of his output have largely been untold.
George A. Romero's Independent Cinema is the first in-depth analysis of Romero's Laurel Entertainment, revealing the decision-making and business planning that takes place away from Hollywood, while offering an industry-determined analysis of such films as his zombie masterpiece Dawn of the Dead and the seldom-discussed Martin and Knightriders. Tracking Laurel Entertainment across four decades, this book draws upon business and economic studies to critically recast historical developments in the American independent film sector, providing a forensic-level insight into a media production company whose output redefined horror cinema.
Contents
List of Tables and FiguresAcknowledgments
Introduction
Latent Image(s): Revealing Industrial Alternatives, 1963-1973
A New Dawn: Cult, Risk and the Independent Film Producer, 1973-1979
'Camelot is a State of Mind': Professional Product, Independent Spirit, 1979-1982
The Once and Future King: Agency and the Limits of Control, 1981-1985
Last Stand: Mergers, Acquisitions and the Small Business Enterprise, 1985-1994
Epilogue: Life After DeathLaurel MediographyWorks CitedIndex
