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Full Description
This book explores the ways in which film engages with historical events and their impact on present-day landscapes, through a spatial reading of film articulated through the process of charting both creative and coherent cinematic topographies. As the authority of the archive wrestles with the popularity of fictional narratives, this book delves into the debate on the relationship between fiction and documentary in hitherto neglected and surprising contexts. It offers the reader a unique approach to the study of archival footage and documentaries in relation to their fictional counterpart, mainstream films set in the same locations and addressing similar themes, including both live-action films and animations. From images of the places taken during or soon after the facts they represent to the intricacies of retrospective images of the events made years later, the films and footage investigated in this book offer a profound reflection on the ways in which we remember, imagine and experience the past through the complex mediation of film.
Contents
Prologue - Tranquility Base, Mare Tranquillitatis, Moon, 20 July 1969, 8:17 pm (UTC)
Part I - Hot War
1. Latin Bridge, Sarajevo, Austria-Hungary, 28 June 1914, 11:00 am
2. Huesca, Aragón, Spain, 20 May 1937, 5.00 am
3. Sobibór, Generalgouvernement, Occupied Poland, 14 October 1943, 4:00 pm
4. Hiroshima, Chūgoku Region, Japan, 6 August 1945, 8.15 am
Part II - Cold War
5. San Fernando, Buenos Aires, Argentina, 11 May 1960, 8:05 pm
6. Olympiapark, Munich, Germany, 5 September 1972, 4:30 am
7. Via Fani, Rome, Lazio, Italy, 16 March 1978, 9.02 am
8. Bornholmer Straße, East Berlin, GDR, 9 November 1989, 11.30 pm
Epilogue - Venice, Los Angeles, California, USA, 10 January 1914, 1.30 pm
