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Full Description
Discussing a variety of independent and experimental Italian films, this book gives voice to a critcically neglected form of Italian cinema. By examining the work of directors such as Marinella Pirelli, Mirko Locatelli and Cesrae Zavattini, the book defines, inspects and studies the cinematic panorama of Italy through a new lens. It thereby explores the character of independent films and their related practices within the Italian historical, cultural and cinematic landscape.
Contents
Introduction
Chapter 1: Filmmaker and the Milanese independent cinema of the 1980s and 1990sDonatella Maraschin and Paola Nasini
Chapter 2: Light and Liminal: Marinella Pirelli's CinemaMatilde Nardelli
Chapter 3: From Vertov to Cine-Journals: Cesare Zavattini's Experimental JourneyCarlo Coen
Chapter 4: Gianfranco Brebbia. The 'Absurd', Expanded Quality of Experimental Cinema (1962-1973)Donatella Valente
Chapter 5: Italian Family Films: The Case of the Archivio Nazionale di BolognaLaura Ceccarelli
Chapter 6: Travelling the world. The essay films of Massimo Bacigalupo (1968-1977)Donatella Valente
Chapter 7: Tales of Courage: Trade Stories of Italian Independent CinemaEdward Bowen
Chapter 8: Independence as Opposition? Redefining Political Cinema through the Case of Mirko LocatelliGloria Dagnino
Chapter 9: Niccolò Bruna's Ethical Process as Social Engagement: Upholding Human Stories against a Backdrop of GlobalizationDavid H. Fleming and Filippo Gilardi
Chapter 10: The Paradox of 'Independence' in Cyberspace: The Case of Italian Experimental and Independent CinemaAnthony Cristiano