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Full Description
ReFocus: The Films of Rachid Bouchareb is the first book-length study of the internationally recognized director's films. Bouchareb was one of France's first filmmakers of North African descent and his career as a director and producer now spans over 35 years. Remarkably varied in their themes, formal elements and narrative settings, Bouchareb's work has engaged with and reflected on a variety of crucial social, political and historical issues; from the role of colonial troops in the French army during the Second World War, to terrorism in contemporary Europe. This volume examines Bouchareb's films from an interdisciplinary perspective, exploring key influences on his output and considering new theoretical approaches to his filmmaking.
Contents
Illustrations
A Note on Translations
Contributors
Acknowledgments
Introduction
Rachid Bouchareb: A Global French Filmmaker
Michael Gott and Leslie Kealhofer-Kemp
I: A Multidimensional Oeuvre
Rachid Bouchareb's Cinema as a 'Vehicle for Encounters': Cultural Mixings and the Pre-Production Process
Leslie Kealhofer-Kemp
The Road from Baton Rouge: Mapping Rachid Bouchareb's Transnational Mobile Movies
Michael Gott
Questions of Gender and Embodiment in the Intimiste Films of Rachid Bouchareb
Kaya Davies Hayon
Genre and Universalism in the Films of Rachid Bouchareb
David Pettersen
The American Dimensions of Rachid Bouchareb's Cinema
Nabil Boudraa and Ahmed Bedjaoui
We Could Be Heroes: 'Arabs' Becoming Brave in Rachid Bouchareb's Cinema
Julien Gaertner
Globalisation, Cinema, and Terrorism in Rachid Bouchareb's Films: London River, Baton Rouge and Little Senegal
Mireille RoselloII: Case Studies
Aesthetics of Confinement: Space, Memento Mori, and the Recording of History in Rachid Bouchareb's Poussières de vie/Dust of Life
Michael O'Riley
The Door of No Return: A Cinema of (Up)rooting and Decentring in Rachid Bouchareb's Little Senegal
Gemma King
Rachid Bouchareb's Hors la loi/Outside the Law: A Lesson in History, Reception and Artistic Licence
Jennifer Howell
Postcolonial Feminism, Gender, and Genre in Rachid Bouchareb's Just like a Woman
Anne Donadey
Relations of Disjuncture in a 'World-in-Motion': Rachid Bouchareb's La Voie de l'ennemi/Two Men in Town
Valérie K. Orlando
Appendix: Filmography of Rachid Bouchareb
Index
