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Full Description
Asia's film industries have undergone significant transformation in the last 30 years. From bilateral co-production agreements to pan-Asian financing, Asian cinema has assumed a regional identity well beyond its constituent national cinemas.
This book explores the collaborative models of film production, distribution, exhibition and reception that have enabled greater co-operation and integration between Asia's film industries. In doing so, it contributes to the burgeoning international fields of transnational and world cinema, providing a fresh perspective on Asian cinema through the lens of comparative film studies.
Contents
Acknowledgements List of Figures
1. Introduction: Theorising Asian Cinema as a Regional Cinema
2. Pan-Asian Filmmaking and Co-Productions with China: Horizontal Collaborations and Vertical Aspirations
3. Re-making Asian Cinema: Inter-Asian Remakes and Asian Omnibus Films
4. From Film Festivals to Online Streaming: Circuits of Distribution and Exhibition
5. Queer Asian Cinema and the Short Film Format: Rethinking Female Authorship
6. Archiving Asian Cinema
7. Asian Cinema in 3D: Regional Technical Innovation
Epilogue: New Regional Intimacies NotesBibliography