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Full Description
What does political art look like today and how can art act critically under neoliberalism? Jan Bryant looks at the strategies visual artists and filmmakers are using to criticise the social and economic conditions shaping our historical moment. She then assesses how the world is being positively re-imagined through their work today.Located at the intersection of practice and theory, Bryant argues that an effective contemporary political-aesthetics encompasses more than just analysis of a work's conceptual or aesthetic reality. It should also consider the impact the artwork has at the point of reception, the methods adopted by the artists and the relationships they engender with communities.
Contents
Introduction: The Gift of Being Disgusted
Part I: Still Deep in the Bones of the Bourgeoisie
Introduction
1. Benjamin's Challenge for the 21st Century
2. A Community of Sense
3. Crisis on the Left
4. 'Efficient Market Ideology'
Part II: Encounters From The 20th Century
Introduction
5. Encounter One: Pier Paolo Pasolini and Italo Calvino
6. Encounter Two: Lefebvre and Blanchot
7. Encounter Three: Art and the Socialist State
Part III: Political-Aesthetics and Contemporary Artists
Introduction
8. Frances Barrett-A Politics To Come
9. The Intruder (Claire Denis)
10. The Politics of Painting: Cliché, Fashion, Mimesis
11. Na Trioblóidí and Decolonisation (Alex Monteith)
Conclusion
Index